“He smelled like an expensive forest.”
The goddess of romance writers, Lisa Kleypas, has not lost her clever touch.
What starts as potential ruination and scandal quickly changes into a fierce love match when Gabriel, Lord St. Vincent, and Lady Pandora Ravenel are caught in a compromising position when her dress is caught in the scroll work of a settee at exactly the wrong moment. Encouraged, but not badgered, by her family, Pandora agrees to spend time with her erstwhile seducer despite her very strong and laudable resistance to marriage and her complete loss of civil rights and public identity the moment she becomes someone’s wife. She has plans for a business and doesn’t want to be subsumed by her relationship with a man. Gabriel, on the other hand, is damn sure he wants her to be his wife almost immediately and is eager and willing to accommodate her need to be her own person, if that is what she needs. Huzzah! Things proceed quickly apace with one of those nonsensically condensed romance novel timelines and they are married mere weeks later. Why a young woman who was reluctant to marry would turn around and storm the altar is beyond me, but sure.
The best of the Ravenel series so far, Devil in Spring is still not up to the standard readers are accustomed to from Lisa Kleypas. As in the preceding two books, there were some uncomfortable elements which I did not remember from her earlier works. I went so far as to check a couple of Kleypas books (one Wallflower and one Hathaway) for the patronizing and infantilizing details that caught my eye here. They were absent in those books and especially jarring in this one where so much of Pandora’s character is built around her avowed need for self-direction and independent regard; for example,
- “Easy child…”
- “Poor mite.”
- “…and tuck you in like a good little girl” (after a sex scene)
- “…good girl…”
- “Be a good girl today…”
- “her fist closing in a fold of Gabriel’s shirt like a baby’s”
It’s not just that he sometimes talks to her like a child and always seems to know best, though I don’t appreciate that, it’s that he does it in juxtaposition with their very adult sexual relationship. Additionally, there is a love scene with dubious consent. I understand that the heroes of these books are meant to be seductive and alluring, but in one particular interaction, it was very clear to me that Pandora was reluctant and unwilling to participate in a sexual act. What I had hoped it would be a moment about a completely inexperienced young woman being given time to adjust to new activities turned into a standard, “I promise you’ll like it,” and Gabriel continuning after she has pushed him away. What the hell?
On a more charming note, yes, the reader does get time with Gabriel’s parents, the incomparable Evie and Sebastian, and their family gets a last name. I am hoping that Gabriel’s sister Phoebe, last seen as a screaming infant in Mine Till Midnight, gets her own story, although I will be reluctant to pay for it at this point. The Ravenel books are 0.5 for 3 and while I keep reading and hoping, Kleypas hasn’t yet provided a consistently enjoyable read in her return to historical romance.
A complete summary of Lisa Kleypas’s catalogue, with recommendations (two classics and one of my personal favourites), can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful or my streamlined recommendations list.