Tag Archives: Lisa Kleypas

The Ravenels: Hello Stranger by Lisa Kleypas

Is romance queen Lisa Kleypas’s current historical romance series old school, out-of-date, or both? She is four books into what looks to be a six book series and there hasn’t been a winner among them. I’m disappointed, but since her catalogue has so many great novels, and more than one classic, I will forge ahead and read the next one, too. Let’s review the Ravenels series so far, shall we?

Cold-Hearted Rake – I can’t remember anything about it. Wait! She has dark hair.
Marrying Winterbourne – Self-made man who intimidates his beloved.
Devil in Spring – Best to this point, but there’s a scene of questionable consent.

I want to begin by going back to Devil in Spring because it had an opening that I think encapsulates what Kleypas is missing for me these days. In the Prologue, Evie St. Vincent and her husband, Sebastian – the ultimate rake and wallflower pairing – engage in a flirtation after she bathes one of their grandchildren. Even as a joke with his wife, why is Sebastian making comments about taking advantage of servants working in his home? More importantly, the couple are are both still beautiful, youthful, and lithe, even after 30 years of marriage. Could they not have been touched by time in some way?  I don’t mind Sebastian’s preservation since romance trades in wish-fulfillment, but hers bothered me. I really wanted the narration to say that if Evie’s body had softened or changed, Sebastian had never noticed because that would be a sweet and romantic view of a long marriage. Instead, the reader is treated to the lissome and dashing, “everyone was beautiful forever” approach that I think of as old school romance that felt dated to me.

The kinds of heroes I remember from romance in the 1980s, 1990s, and, indeed, in earlier works by Lisa Kleypas, were always the best looking, the most skilled, insouciant in the face of pain or hardship,  perfectly in control paragons of taut masculinity. It’s what Hello Stranger has in Ethan and it kept making me cringe.  Strangely, conversely, Hello Stranger has a wonderfully modern gesture of a heroine, but I suppose at some point in this review I should provide a plot synopsis before I return to my regularly scheduled umbrage.

Garrett Gibson is the only Board Certified female doctor in England. In addition to her full-time job as an on-call physician for a large company, she volunteers her services in London’s slums. Trained in self-defense and armed with a walking stick, she has been successfully protecting herself, but, one night when things get rough, out of the darkness steps Ethan Ransom. Familiar to series readers as a likely Ravenel by-blow, he is a worthy man of somewhat ill repute working undercover for the government, and off the clock as Garrett’s watchdog. They bond over their shared love of hand-to-hand combat. He respects her strength, she falls for his everything.

To be more specific, Garrett simply swoons over Ethan’s “I was born and raised in North London, but my parents are from Ireland, so I have a brogue I try to hide” Irish accent. Kleypas messes up culturally a couple of times in this book, but his so-called accent consistently distracted and annoyed me. You know who else’s parents emigrated from Ireland? My husband’s. Does Mr. Julien have an Irish accent ? No, he does not because he GREW UP IN CONNECTICUT! More importantly, Kleypas’s “exotic accent” device reminded me of the aggravation of what I called the “Romany bullshit” in the Hathaways series. People who have not lived or spoken to other members of their cultural group since childhood recall its language, customs, and obscure medical knowledge. No. Ethan can be culturally Irish. He can’t be audibly so. I won’t even go into the esoteric sexual skills he learned from some sex guru in India. They tie into the outdated magnificent, stallion of a man, barely in control of his urges in presence of his beloved, and wise in the ways of pleasure character elements that also fall under the old school versus outdated question with which I began the review.

Given the level of frustration I’ve just described, I’m sure you can imagine that I do not recommend Hello Stranger. I will give Kleypas this: She finally has a book in which the hero does not give the heroine “the gentlest shake.” It’s about time.

A complete summary of Lisa Kleypas’s catalogue, with recommendations (two classics and one of my personal favourites), can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful or my  streamlined recommendations list.

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The Ravenels: Devil in Spring by Lisa Kleypas

“He smelled like an expensive forest.”
The goddess of romance writers, Lisa Kleypas, has not lost her clever touch.

What starts as potential ruination and scandal quickly changes into a fierce love match when Gabriel, Lord St. Vincent, and Lady Pandora Ravenel are caught in a compromising position when her dress is caught in the scroll work of a settee at exactly the wrong moment. Encouraged, but not badgered, by her family, Pandora agrees to spend time with her erstwhile seducer despite her very strong and laudable resistance to marriage and her complete loss of civil rights and public identity the moment she becomes someone’s wife. She has plans for a business and doesn’t want to be subsumed by her relationship with a man. Gabriel, on the other hand, is damn sure he wants her to be his wife almost immediately and is eager and willing to accommodate her need to be her own person, if that is what she needs. Huzzah! Things proceed quickly apace with one of those nonsensically condensed romance novel timelines and they are married mere weeks later. Why a young woman who was reluctant to marry would turn around and storm the altar is beyond me, but sure.

The best of the Ravenel series so far, Devil in Spring is still not up to the standard readers are accustomed to from Lisa Kleypas. As in the preceding two books, there were some uncomfortable elements which I did not remember from her earlier works. I went so far as to check a couple of Kleypas books (one Wallflower and one Hathaway) for the patronizing and infantilizing details that caught my eye here. They were absent in those books and especially jarring in this one where so much of Pandora’s character is built around her avowed need for self-direction and independent regard; for example,

  1. “Easy child…”
  2. “Poor mite.”
  3. “…and tuck you in like a good little girl” (after a sex scene)
  4. “…good girl…”
  5. “Be a good girl today…”
  6. “her fist closing in a fold of Gabriel’s shirt like a baby’s”

It’s not just that he sometimes talks to her like a child and always seems to know best, though I don’t appreciate that, it’s that he does it in juxtaposition with their very adult sexual relationship. Additionally, there is a love scene with dubious consent. I understand that the heroes of these books are meant to be seductive and alluring, but in one particular interaction, it was very clear to me that Pandora was reluctant and unwilling to participate in a sexual act. What I had hoped it would be a moment about a completely inexperienced young woman being given time to adjust to new activities turned into a standard, “I promise you’ll like it,” and Gabriel continuning after she has pushed him away. What the hell?

On a more charming note, yes, the reader does get time with Gabriel’s parents, the incomparable Evie and Sebastian, and their family gets a last name. I am hoping that Gabriel’s sister Phoebe, last seen as a screaming infant in Mine Till Midnight, gets her own story, although I will be reluctant to pay for it at this point. The Ravenel books are 0.5 for 3  and while I keep reading and hoping, Kleypas hasn’t yet provided a consistently enjoyable read in her return to historical romance.

A complete summary of Lisa Kleypas’s catalogue, with recommendations (two classics and one of my personal favourites), can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful or my  streamlined recommendations list.

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My Favourite/Favorite Romance Novel Heroes and Heroines

There are books and novellas that I recommend. There are novels I loathed.

Inspired by a commenter’s request, these are my favourite romance novel heroes and heroines, and I have a separate post for my couples. Ranking them would take too long, so I haven’t.

If you’re uncertain, I suggest leaning towards the couples list for a starting point.

Favourite Heroes

Ashley, Jennifer Many Sins of Lord Cameron  – GUILTY PLEASURE
Ashley, Jennifer The Wicked Deeds of Daniel Mackenzie
Balogh, Mary Only Enchanting
Bowen, Sarina The Understatement of the Year M/M clarification: Graham
Callihan, Kristen The Game Plan
Dare, Tessa Three Nights with a Scoundrel
Dare, Tessa A Week to Be Wicked
Enoch, Suzanne The Rake
Florand, Laura The Chocolate Touch
Florand, Laura The Chocolate Temptation
Gabaldon, Diana Outlander  OBVIOUSLY, plus the series
Kelly, Carla Libby’s London Merchant
Kelly, Carla The Surgeon’s Lady
Kleypas, Lisa Where Dreams Begin
Kleypas, Lisa Lady Sophia’s Lover
Kleypas, Lisa Secrets of a Summer Night – Top 5 Hero
Kleypas, Lisa The Devil in Winter 
Kleypas, Lisa Tempt Me at Twilight  TWO REVIEWS
Kleypas, Lisa Smooth Talking Stranger
Lauren, Christina Wicked Sexy Liar
Linden, Caroline Blame It on Bath
Long, Julie Anne What I Did for a Duke  CLASSIC
Milan, Courtney Unveiled – I’d marry him.
Milan, Courtney Unraveled FAVE
Milan, Courtney A Kiss for Midwinter  CLASSIC
Quinn, Julia An Offer from a Gentleman
Zapata, Mariana Kulti 

My Favourite Heroines

Bryce, Megan To Tame a Dragon
Chase, Loretta Lord of Scoundrels  CLASSIC
Dare, Tessa One Dance with a Duke
Florand, Laura The Chocolate Touch
Gabaldon, Diana Outlander  OBVIOUSLY, plus the series
Heyer, Georgette Venetia
Jenkins, Beverly Indigo She’s amazing.
Kleypas, Lisa The Devil in Winter 
Kleypas, Lisa Scandal in the Spring 
Kleypas, Lisa Mine till Midnight – I’d marry her.
Lauren, Christina Beautiful Player
Milan, Courtney This Wicked Gift
Milan, Courtney The Countess Conspiracy
Milan, Courtney The Suffragette ScandalI want to be her.
Quinn, Julia Romancing Mr. Bridgerton 
Quinn, Julia It’s In His Kiss
Reid, Penny Neanderthal Seeks Human
Thorne, Sally The Hating Game CLASSIC

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful or my  streamlined recommendations list.

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So You Want to Read a (Historical, Contemporary, New Adult, Paranormal) Romance …

Alternatively: The Worst Romance Novels I Have Ever Read

This recommendations list is gleaned from at least 80 authors and over 500 books.

Ten Great Romance Novellas to Get You Started

Looking for something specific? Here’s a list of authors I’ve read enough to see thematic consistencies and it’s hard to go wrong with these writers:

Tessa Dare – FUN, bring your willing suspension of disbelief, on double-secret probation right now
Laura Florand – contemporary romances set in France, great intensity
Carla Kelly – lovely Regency romances, often military-themed
Lisa Kleypas  – the gold standard, also writes contemporaries
Julie Anne Long – extremely clever and funny
Courtney Milan – The very best currently publishing, one for the pantheon.
Julia Quinn – An excellent place to launch your reading. Start with The Bridgertons.

I lovehate Jennifer Ashley’s sincere romance mired in tortured heroes and overwrought plotting.

This list is an edited version of my Complete Reading List by Author. Reviewed books are linked.

Mallory, a frequent commenter, asked me to make a personal Top 5 list. I tried. I couldn’t do it.

CLASSICS

  1. Balogh, Mary Slightly Dangerous – historical
  2. Bowen, Sarina Blonde Date  – new adult novella
  3. Chase, Loretta Lord of Scoundrelshistorical
  4. Gabaldon, Diana Outlanderhistorical
  5. Heyer, Georgette Venetia (Dameral/Venetia) – historical
  6. Jenkins, Beverly Indigo  – historical
  7. Kinsale, Laura Flowers from the Storm old school, historical
  8. Kleypas, Lisa Dreaming of Youhistorical
  9. Kleypas, Lisa The Devil in Winter  – historical
  10. Long, Julie Anne What I Did for a Duke – historical
  11. Milan, Courtney A Kiss for Midwinter – historical novella
  12. Milan, Courtney The Suffragette Scandal  – historical
  13. Montgomery, L.M. The Blue Castle – historical now, but not when published
  14. Quinn, Julia Romancing Mr. Bridgerton  Bridgerton Book 4 – historical
  15. Thorne, Sally The Hating Game – contemporary

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I Will by Lisa Kleypas

An addendum to Lisa Kleypas’s Capitol Theatre series, I Will is a very bad Christmas novella that my friend suggested had been lying in a drawer at the author’s house for years. Dated in many elements, I had at first suspected it was ghost written, but a long abandoned manuscript makes more sense. Shortly after I began reading, I found myself wondering how I would feel about the book and quality of the writing if it didn’t have the Queen of Romance’s name on it. Admittedly, Kleypas’s last couple of historicals have not lived up to her very high standards, but I Will is a mess.

From Amazon: Andrew, Lord Drake, has been cut out of his father’s will because of his dissolute manner of living. To be reinstated, Andrew decides to pretend that he has changed his wicked ways. As part of his plan, he wants to convince his father that he is courting a respectable woman with the intention of marrying her. The problem is, he doesn’t know any decent women, except for his friend’s spinster sister, Miss Caroline Hargreaves. He blackmails the reluctant Caroline into helping him, and so the charade begins …

In addition to the extortion plot, which is disappointing, the rest of the story feels either cobbled together or shoehorned in. It’s as though significant gaps that were to be filled in later were never revisited. I’ve read virtually all of her books and the writing doesn’t even come across as Kleypas’s style, it has almost none of her spark or smolder. But these shortcomings pale in comparison to issues I had with the love scene late in the book. After a period of estrangement, the hero is delivered to the heroine handcuffed to a bed. In order to convince him they should be together, this completely inexperienced, naive young woman decides she will seduce the hero back to her. It’s an attempted rape and I found it extremely distasteful to read. Had it been written by anyone else, I would have stopped reading then and there, if I had not given up on I Will already.

Despite this effort and since she is indeed one of the best romance writers in the business, please visit my complete summary of Lisa Kleypas’s catalogue for recommendations, including two classics and a few of my personal favourites.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

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The Ravenels: Marrying Winterbourne by Lisa Kleypas

Marrying Winterbourne is the second book in the current Lisa Kleypas historical romance Ravenel series, and, while it is better than its predecessor, Cold-Hearted Rake, it still not up to the standard of her classics or even her stronger books.  Spending insufficient time with the love story, though plenty with the smolder, it started with a wallflower and a rake, Kleypas’s forte, and swiftly landed in Big Misunderstanding territory – which experienced romance readers will tell you means the leads’ problems could be solved with one honest conversation.

Possessing several Kleypas aspects I adore, this is what Marrying Winterbourne has going for it: Rhys Winterbourne is a gorgeous, self-made man, a sardonic and magnificently self-possessed hero who calls the heroine sweetheart in that Kleypas way, and in Welsh no less, and is poleaxed by his adoration of his beloved. So far, so good. Lady Helen Ravenel is a profoundly shy, seemingly delicate woman with a backbone of steel and the willingness to step outside of herself to pursue what she wants. Excellent! Unfortunately, all of that is taken care of by Chapter Two when Rhys and Helen reach an understanding and then spend the rest of the novel trying to get to the altar. The challenge was that the stumbling blocks took precedence over the relationship building. The problem was that some elements Kleypas includes are, at best, dated and diminished the reading experience for me.

INDIGNATION FOLLOWS:

On more than one occasion, Rhys manhandles Helen.

“Rhys grasped her chin and compelled her to look at him.”

“She hated the way he guided her with his hand clasped on the back of her neck, as if she were a helpless kitten being carried by the scruff.”

“Rhys pushed from the desk and reached her with stunning quickness, caging her body with his and slamming the sides of his fists against the wall.”

Caging a woman with his body is something Rhys did to the heroine of Cold-Hearted Rake as well, though then he was also sexually aggressive. His character needed some rehabilitation and while he shows remorse, apologises to the woman he threatened, and Kleypas drops a building on him early-ish in the book, his aggressive behavior toward Helen made me uncomfortable. Is he abusing Helen? Perish the thought. Does it represent the heightened reality often found in books of this genre? I don’t care.  Is he asserting physical dominance potentially consistent with the Victorian era? Perhaps, but Marrying Winterbourne is a romance novel, not a historical document and I don’t appreciate these rough elements. Were I the woman involved, especially in the last example, I have every faith I would burst into terrified tears. In the justifiably beloved Kleypas classic The Devil in Winter, the hero is horrified when he moves too quickly and the heroine flinches. In Marrying Winterbourne, the hero takes advantage of his superior size to intimidate Helen and control her movements. If it were ever properly addressed, I could overlook it, but since I doubt Kleypas is going to drop another building on Rhys in the next book in the series, The Devil in Spring (which I will still buy), Marrying Winterbourne is going in my disappointment pile.

A complete summary of Lisa Kleypas’s catalogue, with recommendations (two classics and one of my personal favourites), can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

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Romance Authors and Their Themes

The link in the author’s name will take you to either a summary of their catalogue or a relevant review.

Carla Kelly – People are inherently good and their kindness will surprise you.

Caroline Linden – Fortune favours the bold.

Cecilia Grant  – Live life on your own terms and be willing to accept the consequences.

Christina Lauren – Find someone with whom you can be your true self and who calls you on your bullshit.

Courtney Milan – Only you get to decide who you are. Fear is a waste of energy.

Jennifer Ashley – Love heals all wounds.

Julia Quinn – Marry your best friend.

Julie Anne Long – You must be willing to be emotionally vulnerable to find a true partner.

Kresley Cole – Misogynists need love, too, baby. He only hurts you because he loves you so.

Laura Florand – Sincere love gives you the courage and freedom to embrace your true self and someone else’s.

Lisa Kleypas – Make your own life and your own luck. Hard work is rewarded. To find a true partner, you will need to leave your comfort zone.

Lorraine Heath – Damaged people finding strength in each other and themselves to persevere and succeed. B-list author.

Loretta Chase – Find someone who challenges you and life will never be dull.

Mary Balogh – Broken people finding someone to fit their pieces to and moving forward with their lives.

Tessa Dare – Life is an adventure! Be bold.

Suggestions are always welcome.

Links to reviews can also be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.