When the hero of Good Boy was introduced in Us, I referred to him as the World’s Largest Plot Moppet. I was wrong, clearly he is the world’s biggest puppy. I have seen very mixed reviews of this contemporary romance as there are troubling elements at the same time as it is also frequently charming. YMMV, as the kids today say.
Blake Riley and Jessie Canning hooked up several months ago and while it was mutually satisfying, she isn’t looking for more. Brought together again for her brother’s wedding to Blake’s teammate (Wes and Jamie of Him and Us), Blake is eager to start something with Jess and willing to leverage more casual sex, if that will get things moving for them.
Jess has been a bit lost. In a career experiment she (successfully) planned her brother’s nuptials, but has decided that she actually wants to be a nurse. When she gets into university in Toronto, this contemporary New Adult sports romance moves where it just so happens that Blake is a forward for the hockey team standing in for the Toronto Maple Leafs.
Returning to my puppy analogy, Blake is a big, friendly, loyal, and enthusiastic guy. He’s sincere but not terribly bright and, like your new Great Dane puppy, he tends to do things he oughtn’t and is forgiven by virtue of… I’m not sure what, because Blake does a couple of things with impunity that should be deal breakers –
- After being set up to sleep on the chesterfield (that’s Canadian for couch), Blake climbs into bed with Jess while she is sleeping. She wakes up next to him and slips out of bed without immediately returning to SCREAM HIM AWAKE whilst simultaneously dousing him with ice water. He says he had asked her if it was okay he climb in with her and she said yes while she was half asleep which does not help his case.
- Blake sends an unsolicited photograph of his genitals to Jess after she has told him that his attentions are not welcome.
I suspect there’s more, but those two were pretty major. Blake’s interior monologue makes it clear that he’s well-intentioned and he can be a lot of fun. Were Kennedy and Bowen trying to show a hero who does all the things he shouldn’t, but succeeds anyway? Or that not every guy who crosses the line is a jerk? Is Blake the puppy that drives you crazy until one magical moment when he settles in and you realise that all of the growing pains were worth it?
Good Boy had some other story elements that I wondered about, such as the stereotypical gay friend and a truly irrational ex-fiancee, but really it all comes down to where you stand on Blake. I enjoy the occasional big lug, though not necessarily Jethro Clampett, and landed on the charmed side for Good Boy even if it wasn’t a classic.