Tag Archives: historical romance

Where Dreams Begin by Lisa Kleypas

I mentioned in an earlier review that I had once said, “If these two don’t kiss soon, my head may explode,” out loud while reading a particular romance. Where Dreams Begin by Lisa Kleypas is that particular romance. I love this book. While not a classic, it is one of the ones I will keep if/when I am released from my historical romance obsession. I have read it several times and did so again recently.

Lady Holland Taylor…

The AIDS Healthcare Foundation Presents No, not this one, although I assume it’s a loving homage on the part of Ms. Kleypas.

Lady Holland Taylor has just attended her first public event after three years of public and private mourning for her husband, George. They were happily married and very much in love. Holly lives with his family and her daughter, Rose, her dearest tie to George. Despite the fact that she is out in society again, Holly dresses in the colours of “half mourning” and has no interest in another marriage. She is every inch, and in all the best ways, a lady. When Holly finds herself looking for a moment alone and instead winds up kissing a stranger in the dark at a party, she is devastated and runs away.

Zachary Bronson expected one woman in the dark and swooped in to discover he was kissing another. He has recently arrived in Society and his position there is the result of his ambition and unassailable wealth. He is too rough for his new world and the upper echelons do so revile an upstart. To give himself access to the circles he wants to do business in, make his mother and sister comfortable in that world, but mostly to try to get his hands on that woman he kissed, Zachary offers Holly a position as a kind of guide to teach his family the social graces. He pretends not to remember her when they meet again, as does Holly. For an obscene amount of money, including a generous dowry for Rose, Holly will work for Zachary for one year. His only condition is that Holly and her daughter must move in with his family.

There is no external conflict in this story, the tension revolves around the vast difference in the leads’ backgrounds. Holly and Zach are each kind, lovely people. He is brash and ambitious, she is refined and quiet. They slowly find a balance with each other and move forward as a couple. Holly was trained so well to be a certain kind of woman, so very moderate in all things, and constrained for so long that she feels bowled over by this louder new life, even as she finds Zachary incredibly attractive. (As well she should. He is as delicious as I have come to expect of all Lisa Kleypas heroes. She writes big, beautiful, sardonic men, and I say, “Brava!”.)

Where Dreams Begin has some elements that are a bit dated, it is mentioned that Zach frequents brothels, and there is magic realism/dreamy stuff that I could have done without. Romance novels are  sufficiently fuzzy with regards to reality that adding another layer of narrative distance impinges on the illusion for me. Any quibbles I have are minor about an otherwise sincere, entertaining and delightful story. Lisa Kleypas is a master craftsman. She excels at every aspect of writing for the genre. Every night, I say a little prayer hoping she will re-enter the historical romance fray.

A complete summary of Lisa Kleypas’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful which includes the aforementioned observations.

Rules of Scoundrels Series: A Rogue by Any Other Name and No Good Duke Goes Unpunished by Sarah MacLean

There are many reasons that Sarah MacLean is on my autobuy list, but one of them is that she has enormous potential that is coming into full flower. No Good Duke Goes Unpunished has a twist at the end that not only guarantees I will be combing back through this and the other two books in her “Rules of Scoundrels” series, but I will purchase next book, Put Up Your Dukes*, the second it becomes available. These historical romances feature four displaced aristocrats who have joined together to run a wildly successful gambling hell called The Fallen Angel. Each book features one of the exiles, i.e. A Rogue by Any Other Name (Bourne), One Good Earl Deserves a Lover (Cross), No Good Duke Goes Unpunished (Temple), and Put Up Your Dukes** (Chase).

A Rogue by Any Other Name

Theoretically, I read A Rogue by Any Other Name last year, but it was during my frantic romance devouring phase and it didn’t really capture my attention. This is not the first time that has happened and it won’t be the last. I read the novel again properly this year after One Good Earl Deserves a Lover because I loved the latter so.

Michael, Marquess of Bourne, and Lady Penelope were childhood friends. He went away to school and she stayed home as was the curse of women in her era. They wrote letters, but Michael’s responses petered out and then stopped after he gambled away his inheritance and left Society behind. For ten years, he has been bent on reclaiming the property that he considers his birthright. There are a lot of people in romances who gamble away their fortunes, but they are rarely the hero. It’s a great touch. Bourne is cold, driven, and, as I said in reference to him in the One Good Earl review, suffers “from a prolonged case of Head Up Posterior”. When Bourne discovers that “his” land is now tied to Penelope’s dowry, it brings him back into the orbit of his childhood friend. Wallflower Penelope is surprised to see Michael again and not happy with the changes in him. They gradually come together as he both resolves and relinquishes his issues. Overall, I enjoyed A Rogue by Any Other Name, but it was not as good as either of the two that followed it.

No Good Duke Goes Unpunished

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The Ice Princess & Scandalous Desires by Elizabeth Hoyt

Elizabeth Hoyt is one of the big names in historical romance and her novel The Raven Prince is considered a classic of the genre. She tends to be a little earthy for my tastes, but I have read portions of several of her novels and I did indeed read all of The Ice Princess and Scandalous Desires.  I really liked the former, the latter was nothing special.

A novella, The Ice Princess features Coral, the madame of a brothel called The Grotto which is featured in other Hoyt works, and Isaac Wargate, a naval captain who spends time in the brothel not being serviced, but looking out for his men and watching out for Coral. In a common romance trope, Isaac wins exclusive access  to Coral for a period of seven nights in a card game. (My inner feminist cringes while typing such things, then I read another romance because being a feminist is about the right to make choices.) Coral has not been with clients in a long time, although she was not spared years as a prostitute, and Isaac wants desperately to get to the woman he glimpses underneath her literal and figurative mask. He is a patient man. Coral uses her experience and acumen to put him off, but he wins her over with kindness and patience, she rescues herself, and they sail off into the sunset together. It’s a lovely little novella not about the redemptive power of love exactly, but more the power of seeing one’s own freedom through another’s eyes.

Scandalous Desires is a standard up-from-the-gutter romance featuring a Pirate King because, yes, this is a genre in which a “Pirate King” is standard fare. Mickey O’Connor works ships on the Thames for his living and he has amassed a considerable fortune and a formidable reputation. Romance heroes who clawed their way up from nothing always do. About a year ago, Silence Hollingbrook (I don’t care what you say, that name is AWESOME) spent one night with Mickey because of something, something, her husband, something, widow. Mickey has a bastard daughter he wants Silence to take care of, first at the foundling home she helps run and then living at his Pirate King pad. Hijinks and romance ensue. Hijinks that weren’t very compelling to me, didn’t rise above what is common in the genre, and, this is important part, their relationship was uninteresting. It always comes back to that one detail. If the emotional lives and connection of the characters are sincere and well-portrayed, the book becomes engaging. Mickey and Silence’s weren’t and the book wasn’t.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

The Proposition by Judith Ivory

Christ, I don’t know. It’s another historical romance novel. The Proposition by Judith Ivory is Pygmalion with a male Pyg. He has a moustache, so that’s a refreshing change. I read a book recently, The Wicked Deeds of Daniel Mackenzie, in which the hero smoked which a. is cool and we all know it and b. seemed a wonderfully historically accurate detail, kind of like the moustache, but more attractive. Now, if the Pyg also had a beard, the writer might have been on to something. I’ve never read a romance in which the hero had a beard, or in which the heroine had one for that matter. A beard would be awesome. I love beards.

I read The Proposition because Ivory is a very successful writer and this book was highly rated on Amazon, dubious distinction though that may be. Academic Winnie is Henry Higgins and Mick is her Eliza Doolittle. He’s a charmer, that Mick. A charmer in a purely old school romance novel way: sly, funny, and bumptious. Anywho, Winnie trains him to be classy, well-spoken, and clean-shaven, and Mick helps her get her freak on. The book was fine, but didn’t engender any interest in reading more Ivory as some of the elements were a bit dated, as in “1990s”, not as in “Victorian” which they are totally meant to be, and while entertaining, it didn’t pique my interest in the writer’s back catalogue.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful or my  streamlined recommendations list.

A Man Above Reproach by Evelyn Pryce

This Regency novel won the Amazon Breakthrough Novel Award in the Romance category, in addition to being an overall finalist. Very well done, Ms. Pryce. I can understand why she won. I will definitely be adding her to my Fingers Crossed for Potential list, so Caroline Linden best skooch over.  As this book clearly sets up a trilogy, there will be at least two more chances to see what Evelyn Pryce can do.

Josephine Grant has fallen from society and is eking out a living running the bookshop she inherited from her wastrel father and by playing piano in an upscale brothel, the Sleeping Dove, at night. Elias, the Duke of Lennox, an intimidating and often dour aristocrat, is dragged to the Sleeping Dove one night for a wallow in debauchery. The only problem is that he is not and does not want to be that kind of man. Elias sees Josie playing piano and is instantly drawn to her. He is arrogant and high-handed, but ultimately well-intentioned. Josie isn’t for sale, but she is drawn to the gorgeous, stern man who insists on speaking to her while she plays.

There are a couple of problems in the book, such as initial bumpiness in the hero’s conduct and the plot hangs on a Big Misunderstanding at one point, but they are issues that occur in lots of these kinds of novels and they can be ironed out.  The writing overall is excellent and entertaining, and you do really feel for the characters.

The book is a free loan for Prime on Kindle, but maybe go ahead and buy it to encourage a writer starting out. She has what it takes and needs the chance to write more.

The (Shameful) Tally 2013

The Mackenzie Series: The Untamed Mackenzie and The Wicked Deeds of Daniel Mackenzie by Jennifer Ashley

I’m not sure there is any historical romance author who believes in the redemptive power of love as deeply as Jennifer Ashley. It’s the only reason I can think of for her persistence in creating exquisite examples of Victorian Douchelordery and making them her romantic leads.

The Untamed Mackenzie

First up is the novella The Untamed Mackenzie. Unless you are the magnificence that is Courtney Milan, or perhaps Tessa Dare, novellas are generally just a way to tide over fans and earn some extra money between major releases. They build a love story around previous secondary or even tertiary characters and, this is the important part, allow readers to revisit old favourites.  Jennifer Ashley is not Courtney Milan, or perhaps Tessa Dare, so this is a rickety love story stopping over with each of the  Mackenzies from the first four books in the series. Lloyd is the illegitimate son of the same fu*king monster that raised those tortured heroes. Louisa is the younger sister of Mac Mackenzie’s wife, Isabella.

If pater familias Hart Mackenzie is Douchelord in Chief, Lloyd is the Bastard Douchelord and/or Douchelord Bastard. An obsessive police detective, he was one of the villains in The Madness of Lord Ian Mackenzie and he acquitted his role in a thorough and reprehensible manner. I hated him and had well-founded concerns for his emotional stability. Admittedly, this is true of 78.3% of Ashley’s heroes. Lloyd and Louisa have flirted in previous encounters and when she is accused of murder, they feel the need to interview each of the Mackenzie characters to solve the crime. Whatever. The other characters are more interesting than Lloyd and Isabella anyway.

The Wicked Deeds of Daniel Mackenzie

I wanted to like The Wicked Deeds of Daniel Mackenzie.  I wanted to like it so much. Daniel is an absolute doll, just the sweetest guy. He’s not really wicked at all, not even a little bit, although he does smoke which I thought was a fantastic period detail. Still, it’s a Jennifer Ashley novel, so Daniel’s mother was batshit insane and he has abandonment issues related to his father.

It is Ashley’s best written book to date, she generally excels at sincere romance, despite frequently getting mired in overwrought and histrionic plotting. The Wicked Deeds of Daniel Mackenzie avoided this pitfall. Ashley toned down the melodrama, ratcheted up the romance, and had just enough Mackenzie brothers camp to make the whole thing fun. But. There’s always a but.

The heroine, Violet, is a rape survivor, a “tortured heroine” if you will, and coming to terms with and moving past this episode was a major plot element. Violet’s experience infringes on her ability to form trusting relationships and complicates her attraction to Daniel. Ashley handled the subject matter sensitively and one could not help but feel for Violet, but I don’t want to read a romance novel which includes rape as a plot point; I don’t want to read a romance novel with any kind of abuse, sexual or otherwise. If the abuse is physical, I can just skip over these episodes.  If it is sexual, it discomfits my entire reading experience. Violet’s recovery was central to the plot, so it doesn’t matter how well it was handled, it ruined the book for me. I am sure there is a book out there that could defy this rule, but I read romance novels for escapism. Every time the Violet’s experience is relived or described, it removed me from the disconnected reality I look to these books for.

A summary of  Jennifer Ashley’s catalogue can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

A Woman Entangled by Cecilia Grant

It’s time to talk about sex in romance novels. Not in a prurient way, but in terms of how it works for the story and how it can enhance, or diminish, the portrayal of the relationship.  The candor begins after the jump, if you want to head straight there.

A Woman Entangled by Cecilia Grant is the third novel in her Blackshear trilogy.  I have read books one, A Lady Awakened, but don’t really remember it, and two, A Gentleman Undone. The second novel ended with a scandal and book three, A Woman Entangled, addresses the aftermath that occurs when your brother marries a courtesan and your own reputation is scathed by association.

The entangled woman of the title, Kate, thinks Elizabeth Bennet was an idiot to turn down Mr. Darcy when he first proposed as Pemberley would have been more than enough to make up for an unhappy marriage. Kate is beautiful and practices being fetching in the mirror in hopes of leveraging her loveliness to make an advantageous marriage. She thinks this will redeem her family from the isolation it endures because her father had the audacity to marry against his parent’s wishes. Family friend and her father’s protegé, Nick Blackshear, has been in love with Kate for three years. He hasn’t the pedigree to please her, and his family has its own recent scandal to contend with, so he has told himself he is over Kate, even as he watches her to see the kind and thoughtful woman she hides beneath her carefully presented surface.

Kate and Nick move towards their happy ending by dealing with their own individual issues. The story is believable, their motivations logical, and I was glad they reached the happy ending. Cecilia Grant is an excellent writer in terms of both style and structure. Unlike the narrative distance run of the mill historical romances often create, a kind of demi-camp reality somewhere between the 19th century and now, Grant anchored her story in appropriate mores and conduct, until…

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Flowers from the Storm by Laura Kinsale

If such a thing exists, Laura Kinsale’s Flowers from the Storm is part of the historical romance canon. It’s a classic of the genre that still appeared at #6 on All About Romance’s 2010 Top 100 List 18 years after publication. I voted on their list for 2013 and included it myself. An intense and sometimes painful read, Flowers from the Storm’s status as one of the best romance novels ever written is completely understandable.

Christian, Duke of Jervaulx is a mathematician and a rake. We meet him acting on both inclinations early in the book: the latter leads to a duel, the former to working with a Quaker academic and his daughter Archimedea, called Maddy. When Christian has an “apoplexy” (stroke) shortly after presenting a mathematical paper, he disappears from their lives until Maddy and her father come to live at a rest home/psychiatric hospital run by her cousin. Christian is a patient and a troublesome one at that. When Maddy meets Christian again, he has been brought very low and is presumed mad. She realises he is “not mad, but maddened” and approaches her cousin saying she has “An Opening”, a spiritual calling, to help Christian. The apoplexy left his language processing centers damaged, but Christian finds he is able to communicate first through mathematics and later with language as Maddy works with him. He recognizes in her a chance to escape the hospital and seeks to do so by any means necessary.

Progressive for The Regency, the hospital is every dehumanizing psychiatric care nightmare rolled into chapters: abuse, restraints, ice baths, isolation. Kinsale shows us Christian’s muddled, struggling mind and I found these sections harrowing and must confess to jumping forward to a less upsetting section of the book to console myself before going back to continue reading chronologically. Mercifully, Maddy and Christian get away from the hospital, but a marriage of convenience is required to prevent him from being sent back as it will give the impression of a fuller recovery.

Romance novels can succeed on many levels, but the best ones have the same thing in common: If a writer can honestly portray the emotional lives of her characters, everything else will fall into place. Flowers from the Storm is not a light-hearted romance, it can be a tough read precisely because the characters are so well drawn and the reader feels their struggles. Christian and Maddy are two puzzle pieces that fit together only because of the situation they find themselves in. In either of their previous lives, their relationship would not have worked. Forced by circumstance, they build something together that is more than they ever would have been separately.

Thank you, Malin, for reminding me that I had not read this yet and for promising me Christian and Maddy would leave the hospital soon when I emailed her in a heart-wrenched panic.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Love and Other Scandals and The Truth About Love by Caroline Linden

Caroline Linden is on my woefully short Fingers Crossed for Potential list. Last year, I stumbled upon her The Truth About the Duke trilogy and would recommend those books as follows: One Night in London is really good; Blame It on Bath worked well and was [fans self]; and The Way to a Duke’s Heart had a charming male lead, but some story issues. Linden’s latest historical romance, Love and Other Scandals got off to a great start, but lost its momentum due to structural choices.

Joan, the heroine of Love and Other Scandals , is a delight. Pert and cheeky, she has a wastrel brother with a very attractive, rascally friend, Tristan. The two are introduced, they banter, I wasn’t quite sure of the reasoning behind Tristan’s actions, but things proceeded apace when there was an abrupt shift in the story about a third of the way through. Have you seen Moonstruck? Do you remember the scene when Cher arrives at Lincoln Center to meet Nicolas Cage and the soundtrack includes a wry “ba-bum” as she steps out of the taxi and the love story proper begins? The transition in Love and Other Scandals is a lot like that, but instead of building on what went before, Linden reorganized the setting and the story lost its way. It’s not that it was horribly transformed, just disjointed, so, in spite of appealing leads, I can’t recommend the book.

On another note, Caroline Linden has a delightful short story, The Truth About Love, in a collection called Once Upon a Ballroom. Not about two people finding love, it’s a vignette in the life of a plain, bookish woman who has married a notorious former rake. Damien, the erstwhile rake and current besotted husband, has been away from Miranda for several weeks and rumours have begun to circulate of an affair. Prurient friends and relatives gather around Miranda, ostensibly to commiserate, but really to revel in saying, “I told you so.”  Using Miranda’s perspective, it is a take on the happily ever after readers rarely see. Romance novels are full of overlooked spinsters discovering connubial bliss with gorgeous, fascinating men, but just how easily does a reputation die and how does a woman who has found herself the subject of unexpected male attention trust that he really is a reformed raking making the best husband? It was really enjoyable, so I did some research to see if The Truth About Love was an epilogue to one of Linden’s novels, but had no luck. If you happen to know of such a book, I’d be grateful for the title so I can review it and bump my Cannonball Read total from 61.5 to 62.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

The Lady’s Tutor by Robin Schone

Enough with reviewing sweet and lovely romances. Let’s take a look at something awful and absurd: Robin Schone’s The Lady’s Tutor, a Regency romance of the “sexual tutor” variety. If you want to read a good book featuring this trope, proceed immediately to Sarah MacLean’s One Good Earl Deserves a Lover, consciously ignore the jejeune titling, and have at it.

The Lady’s Tutor fails on many fronts, but there was one aspect of the book, one word actually that sums up everything that is wrong with this fornicaterrific novel. That one word does not encompass the story elements that include

  1. Villainy smeared with sexual deviance and a dollop of you-have-got-to-be-kidding.
  2. Prejudice that the “exotic” man knows the sensual arts by virtue of being foreign.
  3. The fact that The Lady’s Tutor includes concepts like “the sensual arts”.
  4. A hero so well overly-endowed as to be simultaneously laughable and alarming.
  5. The hero’s mother advising the heroine to relax her throat muscles to accommodate her son’s aforementioned equine resemblance
  6. The hero sharing horrific and devastating personal information during coitus.

… but it comes darn close. The one word that sums up all that is wrong with this fornicaterrific novel is “pubes”. The Lady’s Tutor, a Regency romance by Robin Schone, includes the word “pubes” not once, not twice, but three times. PUBES! THREE TIMES!

Why are you still reading? I can’t possibly add to or augment that one salient detail.

The (Shameful) Tally 2013