Tag Archives: romance review

Rules for the Reckless Series: Fool Me Twice by Meredith Duran

Meredith Duran writes character driven historical romance.  She’s sometimes a little more serious* than I prefer, but her latest release, Fool Me Twice, strikes a fantastic balance. I suspect it’s her best yet, but I am too busy working through her back catalogue at the moment to make any kind of judgement. It is very, very good. I highly recommend this book and will be adding Duran to my autobuy list forthwith.

Alastair de Grey, Duke of Marwick is nothing to write home about as the story begins. The villain of Duran’s last novel, That Scandalous Summer, Marwick was a fiercely intelligent polymath and active political figure when at his best and before his monumental pride was reduced to ashes. Having learned that his almost beloved wife manipulated and betrayed him, Marwick has completely withdrawn into himself. Enter Olivia Holladay who has problems of her own. On the run, she uses a trumped-up reference letter under an assumed name to get hired on as Marwick’s housekeeper. Olivia knows he has the material she needs to blackmail her pursuers into submission. The only problem is that, having made a survey of the house,  she realises the incriminating information is in Marwick’s own bedroom. The bedroom he refuses to leave, or have cleaned, or let anyone near, much like the man himself.

Marwick was quite the autocratic bastard in the last book and his road to redemption is long. If he hasn’t been in a clinical depression, it’s damn close. Olivia falls for both the wounded man he is and the formidable man she knows is lurking under all of his unkempt surliness. She appears to have arrived at the right time to draw Marwick out and support him as he gets back on his feet. It’s an interesting pairing with a hero recovering from betrayal through the help and ministrations of someone else seeking to betray him.  Olivia’s efforts don’t cure him, Duran is too sophisticated and talented a writer for such facile plotting, as much as she goads him into action. Marwick’s withdrawal has had a negative effect on virtually every aspect of his life. It’s a painful and necessarily humbling journey back to himself.

The complexities of Olivia and Marwick’s personalities make for compelling reading. Fool Me Twice stumbles in tone, in a very minor way, around some of the downstairs household politics and with a blessedly brief twee incident, but overall it is superlative.  That it’s not a neat and tidy romance is the novel’s greatest strength. Moreso than in many romances, and in keeping with the great ones, Olivia and Marwick feel like people doing their best to make their way in the world and discovering a counterbalance in each other along the way.

Also by Meredith Duran:

Bound by Your Touch
Written on Your Skin
Your Wicked Heart
That Scandalous Summer

Also by Meredith Duran:

Rules for Reckless Series (not entirely interconnected, more of a theme)
That Scandalous Summer – very good
Your Wicked Heart – delightful novella
Fool Me Twice – excellent
Lady Be Good – nothing special
Luck Be a Lady – also nothing special

Not Rules for the Reckless Series
Bound by Your Touch – excellent
Written on Your Skin – not my style, but very good

*If you like serious romances, try Sherry Thomas.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful, or my  streamlined recommendations list.

London’s Greatest Lovers Series: Waking Up With the Duke by Lorraine Heath

The Marquess of Walfort has a proposal for the Duke of Ainsley: For one month, Ainsley and Walfort’s Marchioness, Jayne, will shag each other rotten in an attempt to knock her up. Left paralysed and impotent by a drunken carriage accident Ainsley caused, Walfort feels he is owed this opportunity to give his wife the child he is unable to. Ainsley and Jayne are dead set against it. Ainsley very sensibly does not want to cuckold his friend, no matter what his debt/guilt, and, of course, he has always had a yen for Jayne and knows permission to act on it is a Very Bad Idea. Jayne blames Ainsley for Walfort’s injury and the loss of all of her hopes and dreams. The marriage is hollow, but Walfort and Jayne do, strictly platonically, love each other. They both want a child. What could possibly go wrong?

Waking Up with the Duke is a marriage of convenience historical romance built around an inconvenient existing marriage. Ainsley and Jayne head to his remote six bedroom fully staffed cottage for their month-long tryst. Given their serious reservations things start slowly, but then – VOOM! – they fall madly in love, spend the balance of the month revelling in each other and are left in a predicament: How does one retreat from a newly discovered love and move forward in the public lie one has created? The answer is, of course, by vilifying the invalid spouse. Lorraine Heath gets major bonus points for not making Walfort abusive.

The shadow hanging over the plot of Waking Up with the Duke, intentionally one assumes, is that although Jayne’s husband is the instigator of the illicit relationship, and he has come to terms with his physical challenges so poorly as to bring Jayne down with him, and was likely doing something the night of his accident which was entirely reprehensible, it’s very distracting. While reading about the charming and crazy beautiful people falling in love, I constantly wondered how Heath was going to pull off the resolution. It was clear she would need to make the husband unworthy and kill him off. Heath does so; however, the point isn’t really giving the leads permission to form a permanent relationship, it’s that the repercussions of Walfort’s misdeeds are too quickly addressed. Jayne has been devoted to her husband for the entirety of their marriage. She is a good, desperately lonely woman in a bad situation. Whatever Walfort’s misdeeds, and there has been massive betrayal, it diverts attention from the love story.

Romance authors have to find new an interesting ways to keep lovers apart. It’s a challenge in a genre with six basic story lines. Waking Up With the Duke was quite good overall, but the overhanging complication was not satisfactorily resolved. Not every romance needs to have a neat and tidy plot, but this one did not have enough drang for its sturm. Ainsley and Jayne have to find it in themselves to forgive each other and Walfort and move forward, but at a terrible cost. It’s a marvelously complicated situation not brought to a satisfactory conclusion.

London’s Greatest Lovers Series:
Passions of a Wicked Earl
Pleasures of a Notorious Gentleman
Waking Up with the Duke – please see above

Also by Lorraine Heath:

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The Hathaways: Mine till Midnight, Seduce Me at Sunrise, Tempt Me at Twilight, Married by Morning & Love in the Afternoon by Lisa Kleypas

For every new historical romance author discovery, such as Juliana Gray, there is a little pile of disappointment at my bedside. So while waiting for the new Julie Anne Long, I have re-read the Hathaway series by Lisa Kleypas. If Courtney Milan is the reigning romance queen, she inherited the crown from Kleypas when she abdicated the historical genre.

The five Hathaway siblings, Leo, Amelia, Win, Poppy, and Beatrix, were raised in an eccentric academic family, happy in their seclusion when a series of events changed their lives: their father died, their mother followed him, Leo’s beloved fiancée succumbed to scarlet fever, Leo and Win almost did as well, and then Leo inherited a peerage forcing a change in circumstances and location. They are still recovering from these events when the first book opens. Mine till Midnight does the heavy lifting setting up the Hathaway series and the subsequent novels allow for frequent visits with the siblings. Kleypas also brings in most of the couples from the Wallflowers series for visits although, sadly, not nearly enough Simon and Annabelle Hunt, and, apparently, Sebastian and Evie St. Vincent are incapable to speaking to each other. Anywho, I enjoy character reincorporation beyond the canny marketing it represents. Kleypas is very good at giving the cameos just enough detail to get a sense of where the couples are now.

Mine till Midnight  –  Amelia Hathaway and Cam Rohan – Very good.

Of all the romances I have read, and there have been a lot, Mine till Midnight is one of the very few which had a moment so sincerely romantic that I had to pause, fan my face, and collect myself. I just love the heroine. Amelia Hathaway is one of my all-time favourites. Sensible and stalwart, she has been holding the pieces of her family together by strength of will alone. When a charming and unusual man enters her life, giving her support and a much needed chance to unclench, if only in private, Amelia is swept off her feet before she really knows what has happened.

Mine till Midnight is a strong starting point for the series. Somewhat unfortunately, in addition to a suddenly surprisingly Machiavellian villain, it also has what seems to me an absolutely pointless ghost story subplot that crescendos towards the end. Moreover, the hero, Cam Rohan, is of Romany (gypsy) descent, as is the hero of the next book, Seduce Me at Sunrise. While I appreciated the effort to bring a person of colour (for the times) into a historical romance, I grew quickly tired of what I think of as “the Romany bullshit”: fetishized exoticism, plus “gypsy” medical knowledge that was implausible for someone who has been isolated from his own culture since he was 10 years old.

Seduce Me at Sunrise  – Win Hathaway and Merripen – Weakest of the series.

Seduce Me at Sunrise is a lot like Wuthering Heights, but with a happy ending, make of that what you will. Another Romany hero, Merripen is an intense, brooding hulk who has lived with the Hathaways for  many years. The love of his life, Win Hathaway, has been an invalid since her bout of scarlet fever. Sent to France to recover, she comes back in full health to make good on the promise of their years of mutual longing. Merripen fights valiantly and seemingly endlessly against his attraction to her. His objections to the match are twofold: first, he feels himself unworthy of Win as the result of childhood trauma; second, he is convinced that her health is too fragile for a marital relationship. Win disagrees with him on both counts and tries to convince him before surrendering to his intractability. Merripen is guilty of some major comeheregoaway. He is also almost completely humourless, and while Kleypas plays this well, there was too much sturm and drang for me.

Tempt Me at Twilight – Poppy Hathaway and Harry Rutledge – Great. Rawr.

Despite having already reviewed this book, I love the characters so much that I’m doing so here again. Tempt Me at Twilight is my favourite Hathaway novel regardless of some plotting that verges on twee. The hero, Harry Rutledge, is a spectacular creation. He’s one of those men who in real life would be very difficult and less than ideal, but in the context of a romance novel is extraordinarily appealing. An autocratic, control freak, rake, he voluntarily gives up that last bit, but it is up to Poppy Hathaway to dismantle the rest. He is a typically sardonic, self-made Kleypas hero (I love them so) with a sad backstory and unrelenting ambition.

Poppy Hathaway is the least eccentric of the Hathaways and she longs for a simple, quiet life. The family beauty, she lacks the appropriate social skills to function well within the restrictions of Society. Her governess/social guide, Catherine Marks, has helped, but Poppy has a habit of talking too much when she is nervous and displaying “unbecoming” intellect and a broad range of interests. Harry takes one look, one listen really, and decides that it is time to marry; unfortunately, Poppy already has a suitor and Harry is not above manipulating the situation to get him out of the way. This bites Harry rather ferociously in the ass; nonetheless, he and Poppy are mutually fascinated, so Harry learns to have and show emotions.

Married by Morning – Leo Hathaway and Catherine Marks – Good, not great.

There’s a lot of Harry and Poppy in Married by Morning which is an excellent start. The pairing of the leads, Leo and Cat, is one that had been teased in the previous books and the book didn’t quite manage to live up to the hype. Please keep in mind that with Kleypas that still means that Married by Morning is better than 90% of the genre. Leo is charming and Cat delightfully prickly, but there was an element that was unusual for Kleypas, but explaining will involve spoilers. Highlight the text below for details:

Sex in romance is a representation of the bond between the characters, or the potential for one should they put consummation before their emotions. Kleypas writes fantastic love scenes and her smolder is impeccable. I never thought I would say this about her, but Married by Morning gets the sex wrong.  Cat spent part of her life being trained as a courtesan, but escaped before she could be pressed into participation. Romantically inexperienced, she has been taught that her character is innately suited to the oldest profession. When Leo and Cat’s relationship becomes physical, it moves too fast. It took the standard romance trope of getting over one’s shyness swiftly and puts it on a fast track. A heroine can be willing and shy simultaneously. As Cat is particularly vulnerable in this area, there was too much too soon.

Love in the Afternoon – Beatrix Hathaway and Christopher Phelan – Very good/great.

This is a sweet and lovely story featuring one of romance’s legion of heroes suffering from PTSD. What better match for him than an eccentric young woman who has a way with wounded creatures?  Christopher and Beatrix began an epistolary romance while he was fighting in the Crimea. They fall in love, which is nice for everyone involved, except that Christopher thinks the author of his letters is a different woman. When Christopher comes home, he is confused and frustrated to find that his supposed pen pal is inane and that he is drawn to the peculiar Beatrix. While keeping the trademark Kleypas smolder, Love in the Afternoon is a story of two broken people who fit together and find a way forward. It has improved in my estimation on every re-read. The story is true to one of the most important elements for genuine romance: The main characters find each other and become more together and individually than they would have been apart.

All five Hathaway books have last-minute agita that delays the happy ending, but since they are by Lisa Kleypas, they still have tremendous entertainment value, no matter what plot elements might be rickety. More importantly, she is a master craftsman and writes, hands down, the most consistently attractive men in romance. I haven’t read her current Rainshadow Road series, but I have read just about everything else she has published. A complete summary of Lisa Kleypas’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

The Affairs by Moonlight Trilogy: A Lady Never Lies, A Gentleman Never Tells, & A Duke Never Yields by Juliana Gray

Who else loves to see an autocratic hero brought down a peg? My newfound delight in Juliana Gray continues with the historical romance trilogy Affairs by Moonlight, including A Lady Never Lies, A Gentleman Never Tells, and A Duke Never Yields. If you read them in order, you have two books to wait before the aforementioned peg lowering and they are a really enjoyable ride.

The Set Up: It’s 1890. Three aristocratic/aristocrat adjacent English men rent a villa in Tuscany to escape Society, explore their individual interests, and study. Three aristocratic/aristocrat adjacent English women rent the same villa in Tuscany to escape Society, explore their individual interests, and study. Neither group had anticipated the other, nor are they pleased. They divide the house down the middle and everyone fails to stay in their prescribed area thus allowing hijinks to be fruitful and multiply.

A Lady Never Lies – Finn and Alexandra

The Duke of Olympia’s acknowledged bastard son and all around smart guy, Phineas Burke is retreating to Italy to work on his automobile in anticipation of a race in Rome later in the year. Society darling, and respectable widow, Lady Alexandra Morley is pretending to be taking a year to better herself, but in reality has fled London in hopes of sorting out her finances. Their story was engaging and blissfully free of complex machinations. There’s a villain, of course, and it takes Alexandra a while to come around, but Finn is lovely and that rarest of romance novel heroes, a redhead.

Extra appreciation to Gray for a story incorporating early automobiles. I’ve read a couple of books set in this era and they are always fun.

A Gentleman Never Tells – Roland and Lilibet

This was the first book I read from Affairs by Moonlight before going back to get A Lady Never Lies from my library and following it immediately with A Duke Never Yields. In A Gentleman Never Tells, the hero is a charming, espionage-y good guy masquerading as a wastrel caught in the trap of his own seeming indolence. If I had a romance novel nickel…

Roland and Lilibet fell in love six years ago, but he was forced to abandon the relationship. Lilibet was convinced to marry another man and did her best to love him. She has fled to Italy with her son to hide from her husband. Mr. Lilibet is an absolute bastard. So much so, in fact, that the rate at which matters escalate and their intensity when he enters the story is a bit of a shock when juxtaposed with the rather fun little maguffin. (Said horrendous individual will be the hero of the next book in Gray’s current series. Talk about given yourself a writing challenge.)  Roland’s heart practically Pepe-Le-Pews itself out of his chest around Lilibet. She has spent years finding what honour she can in her life, but has reached an impasse. Roland’s devotion crosses into “Really?” with some details, but their delight in each other is very sweet.

Gray’s heroes, particularly this one, say things like “Blast!”, “Dash it all,” and, “Right ho!”. My father, whom I always described as somewhat Edwardian, used these expressions his whole life. He used less savoury language as well, but even then he sounded formal.

A Duke Never Yields – Wallingford and Abigail

This was my favourite of three books, in spite of magic realism elements that were both a bit much and unnecessary. Interestingly, this subplot was minor enough in the first books that I didn’t really clue into what was being implied until I got to book three. There are ghosts and a curse. Sure.

The Duke of Wallingford is tall, autocratic, and “magnificently disagreeable”.  Free-spirited Abigail has selected him as her first lover. He fits very nicely into her year-long scheme of adventure and exploration. Abigail has vowed never to marry and voluntarily removed herself from Society so that she can do fun things like bet on horse races and travel. Wallingford is a perfect fit, except that he engineered the non-fraternization policy for the castle. What Abigail does not know is that he is a self-shaming slut and attempting to be a self-reforming rake as well. The goal of his year off is to make something of himself as a person and to stop putting the make on every woman he sees. Abigail simply sees an experienced man who will meet her needs, but once her emotions become involved, she sees that his previous behaviour shows a pattern that will be dangerous to her emotional well-being. There are a lot of *cough* busy heroes in romance. This is the second novel, the first being Any Duchess Will Do, wherein the hero realises that his conduct has been repellent. But it’s fun. No really, it’s fun. Abigail ties him in knots.

The reading order for the Affairs by Moonlight series isn’t crucial as the plots are contemporaneous rather than sequential, although A Duke Never Yields will be best read last. Juliana Gray is a really good writer whom I will continue to look for. I cannot imagine how complicated it was to interweave three stories so successfully, completely, and without unnecessary repetition. Reading the books so close together one can really see how the scenes are balanced. Well done.

Also by Juliana Gray:

 

A Princess in Hiding Trilogy
How to Tame Your Duke
How to Master Your Marquis
How to School Your Scoundrel 
The Duke of Olympia Meets His Match (novella)

 

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

The Scandalous, Dissolute, No-Good Mr. Wright by Tessa Dare

The Scandalous, Dissolute, No-Good Mr. Wright is a gem. A delightful Regency romance pared down to its bare bones, this quick read is a perfect of example of what a novella can be and why I love them. There are no machinations, diversions, or distractions. Tessa Dare provides a witty, bright, engaging love story focused entirely on the winning main characters.

Owing to a pubescent scandal, Eliza Cade has been sentenced to wait to enter society until her older sisters are married. Hers is an adventurous spirit and Eliza is clamoring against the wait for her life to begin. Nonetheless, at the age of eighteen, she manages to encounter the scandalous, dissolute, no-good Mr. Harry Wright at a party when he has tucked himself away in a side room waiting for an assignation to begin. Harry takes to Eliza instantly and it is clear they are well matched, but she is too young and he too worldly for anything to come of their undeniable appeal for each other.

The novella proceeds to bounce through their subsequent encounters, some separated by a year or more, as Eliza matures and Harry tries to manage, and eventually succumbs to, his attraction to her. It is never once inappropriate or discomfiting. Rather, it progresses from “I recognize myself in you” and “you are such fun to talk to” towards deeper, mature feelings. The story is entertaining, consistently funny, and absolutely charming, plus it’s only $.99 for your e-reader.

A complete summary of Tessa Dare’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

The Scandalous Highlanders Series: The Devil Wears Kilts by Suzanne Enoch

enochThere is an entire historical romance sub-genre based around Scottish Highland lairds and the tartans that love them. You can recognize the books instantly by the swathe of kilt and bare, muscular chest on the cover. I don’t read them because I get preoccupied with how cold everyone must be in Northern Scotland. Hitting on two genre quadrants, the new Scandalous Highlanders series from historical romance novelist Suzanne Enoch features members of a Scottish Highland family looking for love in Regency London. It’s kind of brilliant cross-marketing, really. The men are enormous, testosterrific, and entrenched in a kind of noble feudalism; the women are bright and steely Bennett-Dashwood-Elliots.

Rowena MacLawry of Glengask has fled her Highland home in hopes of having a London season. Her brother Ranulf, the Marquis, tracks her down at the home of their mother’s friend, Lady Hest. The Hests have two daughters, the older of whom, Charlotte, is our heroine. Ranulf and Charlotte clash in the standard “He’s a philistine!”, “She’s a busybody!” manner yet somehow manage to overcome their differences, indulge in sexual liaisons, and become betrothed. All this despite internecine clan warfare, English obnoxiousness, real estate purchases, morning rides, and a stable fire trying to distract them. The days are just packed.

The Devil Wears Kilts was fine, better than most and less than some. Suzanne Enoch is the tiptop of my romance B List. I read a lot of her work, but I avoid paying for it. I’d say I won’t bother to read more in this series, but who are we kidding? It will come to the library and I will bring it home with me. The books will be mostly enjoyable, but never quite enough somehow to lift them to the next level. I have inserted links to other Enoch books below and recommend the titles in bold.

With this Ring Series (fell swoop review)
Reforming a Rake
Meet Me at Midnight
A Matter of Scandal

Lessons in Love Series (fell swoop review)
The Rake
England’s Perfect Hero

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Compromising Miss Tisdale by Jessica Jefferson

As Compromising Miss Tisdale is Jessica Jefferson’s only entry on Amazon, I am guessing she is a new author just getting started. Congratulations to her on an excellent first novel. Her website lists three upcoming publications which will feature the eponymous Miss Tisdale’s sisters. They are introduced in this first effort and sound like they will be fun.

The novel starts well with Ambrosia Tisdale beginning her fourth season in/on the market for a husband. There is nothing wrong with her other than a desire to marry someone who will please her family and, this is the hitch, for love. It’s a tall order. Duncan, Lord Bristol, is one of those younger sons who have found himself possessed of a title when his brother unexpectedly shuffled off this mortal coil. Duncan has just returned from a family imposed exile when the story opens. Ambrosia is instantly drawn to him even though she thinks he is all wrong for her. Duncan is attracted to Ambrosia, but also needs her excellent reputation and sizable dowry to help restore his family’s reputation and coffers. Duncan decides it would be most efficient to simply compromise Ambrosia. It’s dueling tropes with the reformation of a rake versus a marriage of convenience. They have great chemistry and make sense as a couple.

Compromising Miss Tisdale is a promising debut and overall the writing is very good and creates the appropriate historical illusion; unfortunately, it gets interrupted by distracting word choices, grammatical issues, and editing errors. I would like to offer Ms. Jefferson some advice: You need to either fire your current editor and/or hire one. If you are self-publishing, I imagine there comes a point when you can’t look at your manuscript for one more second. Find someone knowledgeable and honest who can review your work for you. Your novels will be the better for it.

I have some notes:

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L’Amour et Chocolat Series: The Chocolate Heart by Laura Florand

To borrow from a previous review:

The Chocolate Heart is book five in Laura Florand’s Amour et Chocolat series. The conceit of each novel is that an American woman is thrown into close proximity with a French chocolatier/pastry god. They fall in love quickly, get busy, and are engaged in short order. Florand provides consistently enjoyable escapism with romantic locations. The Chocolate Heart is not best of the series, that’s The Chocolate Touch, but The Chocolate Heart was certainly an absorbing and mostly entertaining read.

Summer Corey has been told all her life that she is spoiled and ungrateful. Her parents see her as property to be picked up and dropped as they see fit. The latest gambit in their cycle of attention and neglect is to give her a 4 star hotel in Paris as a Christmas gift. Their goal is to lure her back from the South Pacific island where she has been living and working as a teacher in blissful self-imposed exile. Summer must stay in Paris for three months to gain another expensive gift that she actually wants, a communications satellite something-or-other, for the island residents. She hates Paris, the hotel business, and dessert.

Luc Leroi is the charming perfectionist, and practically perfect in every way, head pastry chef at the hotel Summer has been given. He is driven and has worked relentlessly to reach the top of his profession and stay there. He’s only 30, but since he started when he was 10, it seems reasonable. He is always gorgeous and most of the time he manages to be charming, but Summer completely flummoxes him.

The Chocolate Heart has the most challenging of any of the American woman/French culinary deity combinations in these books. Summer is sympathetic, but not always likeable, and Luc is a victim of his own self-restraint. They are two wounded people hiding behind false fronts and suffering from painful miscommunication. Elements that had been successful in the preceding books reached an intensity that left me uncomfortable. Luc is so busy being in control that he becomes almost clinical and Summer is so vulnerable that it feels like she is being used. It’s not romantic, so much as really unhealthy. Florand seems to realise this, too, as the book has a lengthy “several years later” epilogue to let the reader know that Luc and Summer are in a better, healthier place.

I do not recommend The Chocolate Heart, except maybe to visit favourite characters from other books in the group. This is the complete series for those who want to know with (order of preference):

  1. The Chocolate ThiefPretty good, it took me from 99 cents on Kindle to the complete series. (5)
  2. The Chocolate KissA very good fairy tale that made me forgive the metaphor. (2)
  3. The Chocolate RoseExcellent passion, it needed just a little more love story. (3)
  4. The Chocolate TouchMy favourite of the group, it was really sweet and intense. (1)
  5. The Chocolate Heart – The weakest of the group. (6)
  6. The Chocolate Temptation – Steamy, not quite as good, but still very readable. (4)

A complete summary of Laura Florand’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Nothing to Commend Her by Jo Barrett

If Pride and Prejudice is the ultimate You Are Everything I Never Knew I Always Wanted romance, Daphne du Maurier’s Rebecca is the perfect illustration of what the romancerati refer to as The Big Misunderstanding. If at some point during their courtship or honeymoon, Maxim de Winter had managed to blurt out, “My wife was a vain, inconstant shrew and I loathed her, you little fool”, everyone would have been spared a lot of agita. Nothing to Commend Her has two Maxims and two The Second Mrs. de Winters. Both keeping secrets, both refusing to have basic conversations or ask simple questions that would clear everything up.

I wrote the preceding paragraph before I finished Nothing to Commend Her. I was taking a break from rolling my eyes and groaning. I often get review ideas while reading the book, such as a romance review template, and this time I planned one around the following elements:

  1. I got this book for free on Amazon.
  2. Jo Barrett is a new author because they often give books away to appeal to new readers. This was how I found this gem from Caroline Linden.
  3. As Barrett is a new author, I would write a constructive criticism review of her book with helpful hints for Ms. Barrett and her editor. I did that before with Shana Galen and Anya Wylde.
  4. I was going to be nice about it.

Then it turned out that Jo Barrett has published over thirty romances, both historical and contemporary, and now I can’t really see the use in pointing things out. She’s clearly making a living, so I’m just going to do this:

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Castles Ever After Series: Romancing the Duke by Tessa Dare

[stunned silence followed by vociferous string of profanity-laden expostulations]

That was a change of pace. Well-written. It seems historical romance author Tessa Dare is going in a new direction, one more whimsiquirkilicious than I had anticipated. I have never given my Kindle the side-eye before. And I did, in fact, resist the temptation to throw it across the room. That counts as a victory. And that was certainly the most expletives I have ever let loose while reading a love story. A lot of new things today, it seems.

[cleansing breaths]
[re-reading most of the book]

“I believe there are two ways of writing novels. One is making a sort of musical comedy without music and ignoring real life altogether; the other is going deep down into life and not caring a damn,” said P.G. Wodehouse, giving a surprisingly apt posthumous description of Romancing the Duke.

Delightful historical romance author Tessa Dare has abandoned the ladies of Spindle Cove and embarked on a new series called “Castles Ever After”. As the name suggests, this new novel has a fairy tale undertone/overtone, not to mention many clever references to classics of the romance genre. Dare writes incredibly consistent and enjoyable stories, but of all the authors whose work I buy automatically, Dare is the one who most often requires a willing suspension of disbelief. Romancing the Duke broke mine, Dare BROKE IT, with this playful and quirky novel.

Doubt not that Tessa Dare’s tongue was firmly planted in her cheek: Isolde Ophelia Goodnight’s father not only saddled her with a tragedy-in-waiting name, he left her penniless and alone. Summoned to Gostley Castle in hopes of claiming a bequest from an anonymous benefactor, she instead encounters a derelict estate and its equally derelict ducal inhabitant, Ransom, Duke of Rothbury, who will serve as the tortured hero for the purposes of the story. He’s as big, brooding, and gorgeous as one looks for in such characters. Ransom is just sitting around waiting for the redemptive power of love to bring him back into the world. It’s a good start.

The ermine was a bad sign. Izzy has a pet ermine which, in her defense, was a gift from a fan of her father’s serialized medieval fairy tale. She brings it with her to the castle and they both stay when she discovers that the estate has been bequeathed to her. This comes as quite a shock to Ransom as he did not know the castle had been either a) up for sale or b) sold. His recent blindness has left him a little behind in his correspondence. Things should have proceeded apace from there, but the hijinks, DEAR LORD, the hijinks that ensued.

I had not anticipated costume play or live action role-playing in a Regency romance. I daresay few have. I daresay I’m not even sure it was a Regency romance. It was more of a historically-indeterminate homage to a Gothic novel: the truculent hero; the crumbling castle; the bright-eyed and bushy-tailed destitute heroine; things that go bump in the night; sexual tension; aggressive carnivorous pets; plot elements that are picked up and dropped; inexplicable character shifts; and the almost successful interplay of the love story and whimsy. It was all so cute, I cringed. I wanted a love story, not a Duke getting his LARP on.

I’m not sure who exactly this novel was written for. The short answer is, “Not me.” I get it. It’s not you, Romancing the Duke, it’s me. I was expecting a heartfelt love story with some of Dare’s trademark caprice and smolder, but instead the novel is a romp with an emphatic lack of connection to reality instead of the veneer-of-plausible-deniability connection to reality I look for in romances. It was not what I expected and it was not, like Ransom’s feelings for Izzy, everything I never knew I always wanted.

My partner-in-romance, Malin, loved the book. Check out her review for a different take on Romancing the Duke.

A complete summary of Tessa Dare’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.