Tag Archives: historical romance

Scandalous Gentlemen of St. James Series: Once More, My Darling Rogue by Lorraine Heath

Short Version: NO!

Medium Version: My romance spirit guide, Malin, gave me this book and guessed it based on the blurb.

It’s a Victorian romance this –

overboard

 plus a Victorian romance that –

taming

 resulting in a Victorian romance reading experience of:

stabby

Long Version:

While continuing to be an author I try to avoid actually paying for Lorraine Heath is solidly B-Minus List writer with some decent books under her belt. She can be dated in her plotting and characters and Once More, My Darling Rogue is no exception.

Lady Ophelia (God is kind, so she is called Phee by her friends) is an uptight snob, a Mean Girl. Gaming Hell owner Drake is a member of her social set, the adopted urchin son of a family friend. Drake’s sister and Phee’s best friend was the heroine of the first book in this series, When the Duke Was Wicked. It was not really a success either, but it did not inculcate violent urges. Phee has had snobbery engrained in her from an early age, which is admittedly historically accurate, and she is particularly awful to Drake. She treats him like a servant. He puts up with it, but it is wearing thin. They each wear masks to protect themselves and hide their true blah blah blah. You can see where this is going. The movie posters gave it away.

Phee has an accident and loses her memory. Drake conveniently finds and takes her in to his opportunely newly purchased, and thus undecorated and under-minioned home. Telling her she is his housekeeper/cook/maid of all work, he lets this illusion go on for more than .1473 seconds and it crosses the line into unforgivable. I remember thinking things like, “If these two embark on a physical relationship before she regains her memory I’m going to go postal!” They did and I didn’t, but I finished the book out of spite. There was some vague rationale about her unhappy past and the healing that comes with forgetfulness, but to hell with that. All I know is that her character flaws were rooted in trauma and SOMEHOW the fact that the character development that came with new trauma Drake inflicted was liberating for her is supposed to make it okay. It does not.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Also by Lorraine Heath, But for Romance Novel Withdrawal Emergencies Only:

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The Mackenzie Series: Scandal and the Duchess by Jennifer Ashley

Scandal and the Duchess is a fabulous romance novel title. Five stars for that. All gold.

I continue to lovehate Jennifer Ashley, but the fact that I have read everything in her Mackenzie series would seem to indicate that she is my guilty pleasure. Despite frequently overwrought plotting, but with sincere emotional connections and excellent smolder, I just keep reading her books, and in a couple of cases re-reading them. Maybe I enjoy her brand of tortured heroes more than I like to admit. Scandal and the Duchess is restrained from that perspective and a mostly gentle romp with a moustache twirling villain thrown in.

Rose, Dowager Duchess of Southdown, is the zaftig and scandalous second wife of the erstwhile Duke. The new His Grace has successfully blocked any knowledge of his father’s will and Rose has been left dependent on her former coachman’s hospitality. As her husband, whom she genuinely cared for, died early in their marriage, she has become a figure of public speculation. Obviously, she is a Victorian sex bomb whose appetites overwhelmed the old guy, though he did die happy. One night, while out and about being pursued by scandal mongers, she is literally run into by Captain Steven Sinclair. Three sheets to the wind, he still knows a good thing when he lands on it. Rose misunderstands his situation and offers a place to crash and in the morning, sober and deliciously disheveled, he suggests a false engagement to get the reporters off her back.

Steven and Rose embark on an “engagement” that, it is a romance novella after all, quickly becomes a genuine love match. It seems Rose’s husband liked puzzles and left her an inheritance if only she and Steven can figure out where and what it is. It’s an efficient McGuffin that does the job nicely. They gad about looking for clues and being sexually attracted to each other. Steven is a Mackenzie in-law, so characters from previous books in the series pop up, in particular the ones from her most popular novels. They have a cursory participation based mostly on being in the same room as the hero and heroine.

Scandal and the Duchess was light and pleasant-ish. There was less drang and virtually no sturm which is quite a change for Ashley. The novella felt perfunctory and yet I’ll still read the next one. Ashley has a formula that works well (read: profitably) for her and is an incredibly prolific author. She currently produces at least three different series under two different pseudonyms. The Mackenzie series alone has seven novels and three novellas published since 2009, with one more of each planned into 2015. She keeps pumping them out and I keep reading them, thus drowning out my clearly disingenuous protestations of ambivalence towards her work. It’s the sincere, emotional and romantic moments. I live in hope for them every time.

A summary of Jennifer Ashley’s catalogue can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

The American Heiress in London Series: How to Lose a Duke in Ten Days by Laura Lee Guhrke

The second book in Laura Lee Guhrke’s “An American Heiress in London” historical romance series, How to Lose a Duke in Ten Days, focuses on a marriage of convenience under renovation. It was rather sweet in its way, but Guhrke continues to be a library loan author for me. I will likely read the rest of the series, but I will not purchase the books.

Disgraced and shamed by an involuntary sexual encounter, such is the way of things, Edie has wealth beyond the dreams of avarice and a desperate need not to return to New York where her entirely unfair humiliation will continue hourly and for the rest of her life. Spotting the eligible, handsome, and, this is the helpful bit, impecunious Stuart, Duke of Something, she quickly makes and acts on a plan. Gossip reports that Stuart wants to go on an extended expedition to Africa, so Edie offers him the deal of a lifetime within five minutes of first setting eyes on him: They will marry, she will be the duchess to his in absentia duke, and his financial woes will disappear, but he must never return. Stuart had rather liked the look of Edie before the bargain was presented, but/and he leaps at her offer. They will marry and live together for six weeks before he “abandons” her and his life in England. You think they are going to fall in love and he never leaves, right? Wrong. He bolts after four weeks.

Five years later…

Having almost died from wounds sustained in a lion attack –  which you must admit is so much more manly than nearly succumbing to a parasitic infection – Stuart has reassessed his life and decided return to  England’s green and pleasant land. He wants a quiet life with his wife and, hopefully, children. Edie is horrified by his return. She loves the niche she has carved for herself. She has friends, respect, and has taken excellent care of the duchy. She neither needs, nor wants, a husband, but she cannot get a divorce without grounds and needs Stuart to agree to a legal separation as an alternative. Edie and Stuart embark on a wager. If Edie chooses to kiss him within 10 days, they will continue their marriage. If she does not, he signs the legal separation contract. You think they are going to fall in love and he never leaves, right? Correct. Stuart is a sweet and funny man eager to see if that spark he felt for Edie during their contractually agreed upon romance is still there. She is a kind and sincere person who has learned to live with her wounds, if not heal them. The restlessness that made Stuart leave is apparently resolved and he will not pine for his days of adventure. I didn’t buy that for a second, but he and Edie agree to find their way together which is, after all, what one looks for in a romance novel.

The American Heiress in London series:

When the Marquess Met His Match – pleasant and serviceable
How to Lose a Duke in Ten Days – please see above
Catch a Falling Heiress – January 2015

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

The Three Sisters Trilogy: Beauty and the Spy, Ways to Be Wicked, & The Secret to Seduction by Julie Anne Long

Before I begin: Thank you, Malin, for the loan of these books. My Julie Anne Long collection was not going to complete itself.

These three historical romances are an early trilogy from one of the genre’s best writers. Good, but not great, one can feel Julie Anne Long picking up speed and confidence as one moves through the novels. The heroines of each of the three books are the daughters of a Member of Parliament and his beloved mistress. Although never married, their parents had an exclusive, long-term relationship until their father was murdered, their mother was accused of the crime and fled into exile, and a loving family friend took it upon himself to see to the welfare of the three little girls. It was the worst Tuesday ever. The sisters’ efforts to reunite and to bring their father’s murderer to justice is the through line of the trilogy.

Beauty and the Spy (Kit/Susannah)

Susannah is feeling a skooch squelched in her perfect life. Everything is fine, but she’s not really able to completely be herself. Don’t worry, complications are about to enter her life like whatever the Regency version of a Mack truck is. Her father dies, she is left penniless, subsequently fiance-less, and she has to move to a remote village to begin a life of genteel poverty. Fortunately, Kit is there conducting a wildlife survey on his estate.  It’s a McGuffin within a McGuffin as Kit’s convenient presence is at the behest of his tired and protective father. Sparks fly, romance ensues, family secrets are discovered and create a through line for the next two books…

Ways to Be Wicked (Tom/Sylvie)

Ways to Be Wicked offered a pleasantly different take on the Regency era. Everyone actually works for a living – QUELLE HORREUR! – and no one looks askance at taking what opportunities for increased financial security may come.

Sylvie has just learned that she has a sister in England (Hint: It’s Susannah.) and runs away from her life as a Parisian ballet dancer/aristocrat’s mistress to find her family. She ends up working in an, um, gentleman’s theatre as one of a collection of young women whose job it is to wear diaphanous clothing, twirl, and exclaim “Whee!”. She’s not to happy about it, but the man who hired her, Tom, is meshuggah good-looking and fascinated by her. Sparks fly, romance ensues, family secrets are discovered and create a through line for the next book…

The Secret to Seduction (Rhys/Sabrina)

I don’t find the remnants of feudalism all that appealing, but they are very important to Rhys who is an aristocrat of some sort. An earl, I think. I can’t remember this book well. Sabrina is a vicar’s daughter and joins her friend as a house guest (It’s coming back to me.) at Rhys’s recently restored estate. She falls ill and has to stay behind, Rhys is a jerk who decides to  compromise her as some sort of egotistical entertainment – Rhys does not start well, readers – they get caught in a MAJOR clinch, and end up in a marriage of convenience.  (I remembered!) Rhys and Sabrina live separate lives for a bit, he shows up of an evening for procreative purposes, they find their way into a good marriage, then Rhys’s deep dark secret comes out and everything goes KABLOOEY! before being put back to rights. Note: The KABLOOEY! inducing plot twist is pretty darn good.

The Secret to Seduction wraps up the Three Sisters trilogy with a neat bow thus freeing Julie Anne Long to move on to her current Pennyroyal Green series. I have read all of her output and will now spend my time eagerly awaiting her next book. Unfortunately for the readers, but pleasantly for the author, Long’s publishing schedule is about one novel a year. She is a clever and fun writer with a deep and joyful love of sarcasm who pens entertaining and charming novels. Long’s most compelling work so far is What I Did for a Duke. In it, she pulls off a huge age difference and creates a fantastic hero. The heroine is pretty terrific, too, but he is magnificent. All of Long’s books have themes of vulnerability and the necessity of laying oneself bare in order to take a chance on creating genuine happiness for oneself. It’s a lovely thought and she does it so well.  I like to keep her handy on my autobuy list.

A complete summary of Julie Anne Long’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

When a Duke Says I Do by Jane Goodger

Short version: “I need to finish this book so I can stop reading it.”

Long Version:

gunn yes

When a Duke Says I Do is a historical romance with a lot going on, some of it interesting, but that gets lost in the details. The best way to explain is to summarize the plot and that will involve SPOILERS:

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Vixen in Velvet by Loretta Chase

The review is in verse for which I sincerely apologise. I was bored. Let’s pretend it never happened.

Venus_and_Mars

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The Brothers Sinister Series: The Suffragette Scandal by Courtney Milan

The Suffragette Scandal is an instant classic and a master work of romantic fiction.

In a genre that wallows in cultural necrophilia, you have to love characters fighting actively against the  aristocracy and existing power structures. Or at least I do. Apparently, so does author Courtney Milan because she is doing it again in a novel that is easily one of the best historical romances ever written and one that simultaneously subverts and embraces the genre. Never afraid to beat romance tropes about the head and shoulders, The Suffragette Scandal, like The Countess Conspiracy before it, takes feminism and themes of identity and wraps a love story around them.

In 1877 Cambridgeshire, Frederica Marshall, Free to her friends, runs a newspaper that is, by, for, and about women and the issues they face, much like the romance genre. A radical who has chosen her battles carefully, she is the target of derision and efforts to silence her. Into Free’s life walks Edward Clark. He approaches her with a warning that someone is trying to sabotage her and an offer to help stop him. He makes it clear that he is not doing so out of altruism, he claims to be incapable of it, but because the enemy of his enemy is his friend. Already aware of the challenge Edward mentions, she decides to trust him even when he says she shouldn’t. Free knows better than Edward. She knows better full stop.

Free’s current problem comes in the form of Lord James Delacey, a man whose overtures she had the temerity to reject. It would seem farcical that a man should react so extremely to rejection, if we didn’t know that it is sometimes so sadly true. A woman standing up when virtually the whole world is telling her to sit down, Free makes a convenient public target for Delacey’s ire:“That’s precisely it. You said no, so that is what I am giving you. No newspaper, no voice, no reputation, no independence.”

Spending her life lighting candles against the darkness, Free is a magnificent character. Sanguine and undaunted, she hides none of her intelligence and knows she should not have to. She is not naive, she knows what she faces, but she has decided who she will be and acts accordingly. Her choices have a price she is willing to pay and she finds strength in small victories and in laying the groundwork for the victories to come, even the ones she knows she will never see. Her swain is one of those alluring rogues one encounters in romance. Edward has a disaffected view of the world and of himself, but he is also heartbreaking, appealing, and understandable. As a younger man, he tried to stand up and was forced down so violently that he tells himself he has withdrawn from considerations of right and wrong. Free makes him see that “maybe pessimism was as much a lie as optimism” and in each other they find a suitable partner to stand against the world with.

I cannot possibly do The Suffragette Scandal justice. It is everything a romance novel can be when giving full rein to the genre’s central tenet of a woman’s right to self-determination and in conjunction with Milan’s undoubtedly masterful skills as a writer. It’s a glorious homage to the brave and quiet warriors of the world insisting on what is right. It’s romantic. It’s funny and moving and entertaining. It’s on sale now and you should buy it.

Reviewer’s Note: As a captious reader (I maintain a list), I want to give kudos to Milan for the little details, too, such as the fact that Free’s long hair is held up by nineteen pins instead of the usual two, and, although Free is “small but mighty”, Edward acknowledges that their height difference makes kissing somewhat awkward.

A complete summary of Courtney Milan’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

The Brothers Sinister Series: The Governess Affair and The Duchess War by Courtney Milan

As The Governess Affair and The Duchess War are Victorian romances by Courtney Milan, you can simply assume that, after providing the standard review content, I am going to encourage you to read them and virtually everything else she has published. Thematically, her stories focus on the questions of identity: Who are you? Who does society say you are? Who do you want to be? Romance tropes are flipped or shaken and Milan crafts lovely and heartfelt stories. Moreover, they contain social commentary and an unusually honest view of  the era they depict, as well as of modern mores. Courtney Milan is amazing like that. She is the best romance writer currently publishing and quickly becoming one of the all-time greats in the genre.

The Governess Affair

Setting up the Brothers Sinister series, The Governess Affair is about the coming together of Serena Barton and Hugo Marshall. She was assaulted by her former, and his current, employer, the Duke of Clermont. Serena is staging a sit in on a bench outside of the Duke’s London residence insisting on reparations in the form of financial support for herself and the Duke’s unborn child. Tasked with removing this inconvenience is the Duke’s man of business, Hugo Marshall. They quickly discover that in any other circumstance, they would be rushing to a vicar. Because of the complications of Hugo’s employment and Serena’s pregnancy, their union faces stumbling blocks before it can begin. Serena has already decided who she wants to be and what she is willing to do to become that person. Hugo takes a little longer, but gets to where he needs to be as well.

Story threads beyond Serena and Hugh’s sweet relationship are created in The Governess Affair. What is a triumph for the protagonists has repercussions for both Oliver, their son, and his brother, Robert, the next Duke of Clermont. He just happens to be the hero of the next book in the series.

The Duchess War

Not only has Minerva Lane been told who she is, she has participated in her own belittlement. A lioness terrified of her yearning to roar, her tightly laced corset is the perfect metaphor for the compression of her spirit. When she encounters Robert Blaisdale, Duke of Clermont, at a social event, he witnesses her frustration and gets a glimpse of the formidable woman she hides. Thrown together repeatedly by their political interests and Robert’s fascination, he and Minnie find their way towards each other as much as they do into themselves. He is a Duke with no use for the peerage, she is a woman fighting for security on her own terms, and neither can resist the challenge the other one represents. The limitations imposed on and accepted by Milan’s characters are front and center for Robert and Minnie. They both want so much and are so afraid, often very reasonably, to reach and fail that they both have to find ways to stand up and together.

Both of The Governess Affair and The Duchess War are fantastic and I encourage you to read them and virtually everything else Courtney Milan has published. Minnie’s best friend, Lydia, is featured in the wonderful novella, A Kiss for Midwinter, that follows immediately on the heels of the latter novel. The Duchess War is a great romance, A Kiss for Midwinter is a classic of the genre and one of my top five romances of all time.

A complete summary of Courtney Milan’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

 

The Secret History Pink Carnation by Lauren Willig

carnation

The Secret History Pink Carnation is the first book of eleven (so far) in Lauren Willig’s Georgian historical romance series of the same name. Each novel has a framing device featuring a PhD student combing through nineteenth century documents for her thesis research on aristocratic spies and the relation of what she finds as a romantic adventure story. Willig’s writing is light and clever and The Secret History Pink Carnation had a kind of breezy musical comedy tone. It bounced along as a charmingly written and pleasant romp with just a little peril for the protagonists to keep things interesting.

Amy is a displaced French aristocrat who escaped with her English mother to Shropshire on the eve of the Revolution. Her father lost his head to Mme. Guillotine and her brother, Edouard, claimed his safety by becoming a toady to the new regime. Amy has had schemes and stratagems for restoring the old order to France for years, so when her brother invites her to return to Paris, she feels that she will at last have her chance to make good on all her espionage practice. On her way to France, she meets up with Napoleon’s Egyptologist Richard Selwick. Feigning indifference to politics, he uses his position at Court to glean information and carry out deeds of daring do a la Scarlet Pimpernel and thus thumb his nose at the French government.

Amy and Richard spark and spar instantly in delightful bits of comedy. He finds himself irresistibly drawn to Amy even as he desperately tries to keep her safe, defuse her impetuous machinations, and get to the business of foiling Napoleon’s plot to invade England. Things move along nicely with enough twists, jeopardy, and romance to keep things interesting.

The framing device sets up a love story as well that is tracked through the other Pink Carnation books as that relationship develops. Even as the spy stories move farther afield geographically and chronologically, the present day heroine’s life moves forward just a few months. Such is my devotion to romantic subplots that I took three Pink Carnation books out of the library and while I didn’t read beyond the first one, I did go ahead and peruse the present day chapters of the other two books to check on that love story’s progress. I’m reasonably certain those two crazy kids will be able to work things out in the long run.

The Secret History Pink Carnation was very entertaining, well-researched, and a great choice if you like a bit of farce in your romance. It was not, as my romance spirit guide, Malin, warned me, my style as it was both just a bit too devil-may-care on the political elements and insufficient on the romance for my tastes. The key part of that last sentence is “for my tastes”. I like to focus on the love story in any romance I read so subplots are often wasted on me. Spies, in particular, leave me cold. I also have no use for political intrigue. Nor murder mysteries. Supernatural elements annoy me. Road trips are fine. Is someone writing these down? Honestly, there is no pleasing me.

Also by Lauren Willig – The Seduction of the Crimson Rose

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Written on Your Skin by Meredith Duran

He had made jokes for himself, expecting no one else to catch them,
and indeed no one else had.” (103) Yep.

While as well-written as all of Duran’s Victorian romances, Written on Your Skin never really captured my interest and wasn’t my cup of tea, although it did have some great moments. To find out if it might be your cup of tea, please read on.

Phin is a spy working for Her Majesty’s government in Hong Kong. Poisoned at a party, he finds help in the surprising form of Mina Masters. A beautiful flibbertigibbet to whom he is attracted against his better judgement, she surprises him by saving his life and helping him escape. Four years later, Phin’s inheritance of an earldom has allowed him to leave the service and he is flailing against himself and his past with a controlled, narcotic enhanced stupor. Mina re-enters his world when she calls in the debt owed for his life. Together, they are trying to track down her missing mother, but Mina is a complicated woman hiding behind as many masks as he is. Phin, for his part, is also trying to keep Mina safe by limiting her participation and, very much against her wishes, her appearances in public.

Trust is the through-line in Duran’s work and Written on Your Skin is no different. Both Phin and Mina have life experiences that have driven them to create false fronts for the world. He simply doesn’t know what to do with himself or how to act naturally around his old friends, in particular the louche set he used to run with. Mina has learned to play dumb, coquette, bohemian, or whatever it takes to protect herself and control her circumstances. Each has fought battles to get where they are. Magnetically drawn to each other, they have to break through all of their posturing and self-protection. How do they trust each other? Can they trust themselves?

The quality of the writing is consistent with the rest of Duran’s books, I just don’t really enjoy a lot of MacGuffin-y machinations. I’m not sure if the book had too many, or if it just felt that way because I was never really that engrossed by the story. It’s probably the latter.

Also by Meredith Duran:

Rules for Reckless Series (not entirely interconnected, more of a theme)
That Scandalous Summer – very good
Your Wicked Heart – delightful novella
Fool Me Twice – excellent
Lady Be Good – nothing special
Luck Be a Lady

Not Rules for the Reckless Series
Bound by Your Touch – excellent
Written on Your Skin – not my style, but very good

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.