Monthly Archives: June 2019

The Palace of Rogues Series: Lady Derring Takes a Lover by Julie Anne Long

Huzzah, Julie Anne Long has returned to Regency historical romances. Granted, the cover is displeasing, but the contents are not.

Delilah, Lady Derring is not only recently widowed, she’s also discovered she is virtually penniless, and had the delightful experience of meeting her husband’s mistress, Mrs. Angelique Breedlove, immediately on the heels of the first two shocks. Showing disregard for the notion that they are competitors,  and demonstrating intestinal fortitude and chutzpah, Delilah and Angelique take the jewels they have from the erstwhile Earl Derring and invest them all in the only thing left to them – a derelict townhouse and former brothel called The Palace of Rogues.

Renaming the dilapidated building “The Palace on the Thames” and down to their last farthings, Angelique and Delilah open a boarding house on the London docks. One of her first patrons is Captain Tristan Hardy. He claims to be retired and working in trade, but in reality is working undercover to ferret out a tobacco smuggling ring. He’s not sure whether Delilah and Angelique are involved, but all roads lead to their new business. I cheered Long’s choice of making Captain Hardy fight the Regency version of organized crime. Criminals aren’t dashing or particularly appealing to me and acknowledging their frequent ruthlessness was bonus in my reading experience.

Long brings her trademark wry sizzle to Lady Derring Takes a Lover. The humour is quippy, the writing dry, and the connection between the lead characters carefully built and believable. Long is especially good at portraying even the most jaded hero finding himself in over his head emotionally.

There was nice steam in the build up, in particular Captain Hardy’s realization that while he might be all tough’n’stuff, he rather likes his creature comforts, including the company of a pseudo-family, and especially Delilah. For her part, she is strong arming her way to a new life without ever losing her innate kindness and desire to make a home for everyone around her. She’s a bit naive, but that’s hardly a crime and it’s what helps her succeed. Having spent her life in the roles created for her by other people, her self-discovery leads her to a carefully reckless and droll version of the woman her parents and husband thought they created.

But.

(Did you know there was going to be a “but”? I debated between it and a “however” and decided that “but” conveyed a weaker objection.)

But while the romance is solid, there just isn’t enough of it in Lady Derring Takes a Lover. Always a liability in the first book of a new series, I found the love story took too long getting started and wrapped up rather quickly. It needed more of either conversation and connection in the build up or in the period after they formally get together; however, none of this changes Long’s historical romance status as an autobuy for me, and the tease of the next book piqued my interest and I look forward to reading Angelique’s story Angel in a Devil’s Arms.

A complete summary of Julie Anne Long’s catalogue, with recommendations and a ranked order of the Pennyroyal Green series, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author and Author Commentary & The Tallies Shameful, or on my  streamlined recommendations list.

 

 

La Vie en Roses: A Kiss in Lavender by Laura Florand

Short Version: I liked Laura Florand’s A Kiss in Lavender, though it felt more serious than other books in the La Vie en Roses series. The love story was heartfelt, the happy ending earned, and it had a substantial, forthright hero and a deeply vulnerable, but assertive heroine with the heart of a lion. I’ve read it twice now and while it’s not as swoony as some Florand, it has a kind of grounded solidity that I appreciate.

Long Version Including Discussion of a Book in a Different Laura Florand Series:

Before going on a well-earned sabbatical, Laura Florand had three book series running concurrently: L’Amour et Chocolat, La Vie en Roses, and Paris Nights. As with any writer, I preferred some books over others, but A Kiss in Lavender is the first Florand in which I felt she managed to resolve character issues from a previous work. Not for the original characters themselves, but for similar ones.

From my review of The Chocolate Heart:

They are two wounded people hiding behind false fronts and suffering from painful miscommunication. Elements that had been successful in the preceding books reached an intensity that left me uncomfortable. Luc is so busy being in control that he becomes almost clinical and Summer is so vulnerable that it feels like she is being used.

In A Kiss in Lavender, Lucien Rosier is visiting his family for the first time after a 15 year self-imposed exile. He joined the French Foreign Legion after learning something that challenged his entire sense of self. Assuming a true nom de guerre, he disappeared and built a new life for himself of which he is justifiably proud.

When Lucien’s Tante Colette hired Elena Lyon to track Lucien and assorted other scattered family members down and bring them into the Rosier fold, there’s a good chance she knew or hoped sparks would fly. Without a functional family of her own, Elena has resolute strength, but a tenderness where relationships are concerned. She has learned the hard way what happens when the adults meant to protect you fail to do so and the lasting impact it can have on your life. The results of all-too-human caregivers are a frequent theme in Florand’s books, and I find that in contemporary romance especially, building a new family is a recurrent motif.

But back to Luc and Summer:  I have recently reread The Chocolate Heart and Shadowed Heart to cope with Florand’s publishing absence. The author seems to both have a soft spot for their broken, loving persistence, and for the characters themselves. She wrote them a book, a novella, and a bonus story. Luc and Summer were genuinely messed up people and neither of them had any business being in a relationship, especially since their personal demons were guaranteed to cause each other maximum stress. In contrast, Elena and Lucien clash, but learn and grow into each other to move forward as a unit which is pretty much the essence of a romance novel.

In A Kiss in Lavender, it’s like Florand has written Lucien and Elena as the psychologically healthier version of Luc and Summer. Lucien, like Luc, is very much in control of himself, but in this case, it’s a quality that nurtures his partner. He is proving his trustworthiness and reliability. When Elena is vulnerable and shuts down, she does so by drawing on inner strength rather than lashing out as Summer does.No longer painfully miscommunicating characters finding moments of bliss between rounds of angst, this alternate story has two people falling in love and persisting, then insisting on working towards shared happiness. None of the four are exactly happy-go-lucky, even in their insistent pair bonds, but at least Lucien and Elena seem like they are united in working towards a stable future.

La Vie en Roses Series:

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La Vie en Roses: A Crown of Bitter Orange by Laura Florand

I miss Laura Florand! She’s been taking a well-earned break from a prodigious output of swoon-inducing and charming contemporary romances set in the worlds of pastry, chocolate, and perfumery. Her great gift as a romance writer is in creating the heady intensity of small romantic moments, as well as portraying elements of sexual tension and anticipation. Creating characters, she excels at people who balance each other out, often providing a security or grounding that one of them has lacked.  I’m hoping Florand will return with her final book in the La Vie en Roses series, but I am rereading and reviewing some of her other works in the meantime.

A Crown of Bitter Orange

Tristan Rosier and Malorie Monsard have known each other their whole lives. They both come from old Provencal families devoted to the perfume trade, but while Tristan is grounded by his history, Malorie is torn at by hers.

Living in the same place for centuries means the sins of ones forebearers are sometimes carried by descendants. With scurrilous family members having acted shamefully during World War II and, admittedly, more recently, the marks born by Malorie caused her to leave home immediately upon finishing high school. After the death of her grandmother, she’s back to either finally shutter her family’s landmark company or settle in Grasse permanently.

All of this means nothing to Tristan Rosier. Well, not nothing, he wants to see the Monsard business restored to its former glory, but he doesn’t care about the negative aspects of her family, what he really wants, what he has always wanted, is Malorie. After being seated together to help keep him and his bouncy distractedness in line at school, he was quietly and awkwardly devoted to her for years. Not that she noticed. Malorie liked him well enough, but considered him a bit of a charming pest and was oblivious to anything more because, well, Tristan is lovely to everyone.

Beloved by his protective clan, nurtured in the family trade, and aided by his own hard work, Tristan’s challenges have always been managed. Hard work has brought him incredible success as a “Perfume Nose” for their perfume dynasty. His only major professional setback was when Malorie, in her role as a firm accountant (pun intended) suggested less expensive substitutes for the ingredients in a perfume Tristan created.

With all of that set up in place, the story begins and moves, as Florand often does, very quickly to a romantic alliance full of joy and delightful vignettes with an assortment of family members.  A Crown of Bitter Orange was never less than enjoyable and Tristan continues to be amiable and appealing, as he was in the other series books, but the story never really grabbed me. I liked and understood Malorie, but her relationship with Tristandjust kind of moved along nicely and reached its anticipated and sought out conclusion.

La Vie en Roses Series:
Turning Up the Heat (Daniel/Lea) – prequel novella
A Rose in Winter (Raoul/Allegra) – prequel novella –  Florand can and has done better
The Chocolate Rose (Gabriel/Jolie) – prequel novel I *really* like
Once Upon a Rose (Matt/Layla)  – fun, great light escapism
A Wish Upon Jasmine (Damien/Jess) – not her strongest, it had a lot of promise
A Crown of Bitter Orange (Tristan/Malorie) – not memorable, he’s charming, see above
A Kiss in Lavender (Lucien/Elena) – good, recommended

Laura Florand’s Catalogue gives an overview of her published works — of which I recommend many. I adore her particular brand of romance. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.