About a week ago, I woke up and all I wanted to do was read a romance novel. I am not proud, but I am trying to own my shame. I blasted through the two books I had in the guest room closet and have moved on to both the library and the bookstore for more. If you have never read “historical romance fiction”, I can fill you in:
All the lead characters exist on a kind of mix’n’match continuum as follows:
A. Reformed Rakes Make the Best Husbands (gorgeous cynical bastard)
B. Laconic Warrior (gorgeous gruff protector)
C. Ordinary Guy (If you are looking for him, go find LaVyrle Spencer)
There’s also a whole cowboy thing, but the Old West is too dusty.
The Reformed Rake will have lean muscle mass and feline grace. He is a charming companion and an excellent dancer. His cynical bastardism may be a result of a feminine betrayal in his back story.
The Laconic Warrior will be heavily-muscled and rip doors of their hinges: Giant oak doors with giant iron hinges. There is an excellent chance he will also be a Highland Laird. He will sleep out of doors and bathe in the lake, even in the dead of winter. He will be intimidating and often frighten women, but not the heroine, no, she will take one look and see the handsome man no one else has been able to see underneath all the tartan and scowling.
These men are overwhelmed by the protective impulse they feel for the enchanting bit of fluff they’ve just met. These are Men of Action and are not distracted by such trifles as feelings.
The following elements will usually appear in some form:
1. Clenched jaw with visible muscle twitch to show anger
2. Clenched teeth as he clings to restraint in the face of the lust she has innocently aroused in him, and he is holding back lest he overwhelm or harm the woman with the strength of his passion
3. No matter where he lives, he will be tanned from head to toe. This bronzed glow will be surprising, and pleasing, to the heroine.
A. Victim of Circumstance (beautiful pawn)
B. Wallflower (otherwise ignored fabulous woman)
They are slim, but curvy goddesses as a rule. They always have more book learnin’ than is historically accurate, but I appreciate this token feminism. The Victim of Circumstance is either rich and exploited, or poor and exploited. The Wallflowers just need someone to finally notice them.
The following elements will appear in some form:
1. Cascading hair
2. A naturally tiny waist not really requiring a corset.
3. She holds herself like a queen, or
4. She is accident prone.
5. The Reformed Rake will require a lot of forgiveness.
6. The Laconic Warrior will require her to recognize he loves her before he is able to give in to this vulnerability and tell her.
Things You Have to Overlook
Blatantly anachronistic elements mostly with regard to social and sexual mores. If I wanted historical accuracy, I’d read Jane Austen. Incidentally, the things the hero and heroine do during their intimate moments has gotten much more adventurous since I started reading these books in the 1980s. I find it distracting. I blame the mainstreaming of porn.
No one can get out of that period clothing so quickly. Just once, I wish the heroine would be inwardly cursing all the damn layers that are taking so long to remove.
The age difference of at least 10 years, specifically the youth of the women.
Consistent Narrative Elements
Blazes of sensuality
Synonyms for heat
Oblique references to male body parts
Even more oblique references to female body parts
There is a lot of arching
Someone will be “vexed”
Something will be “sinewed”
Many things will be sensual
Being a pirate is cool
I think you should be up to speed now, but before I start, I must tell you that the book included a bonus chapter from another of the author’s novels. It was set in present day Boston and our hero (read: Kennedy) meets his prospective partner at a charity event when he THROWS UP ALL OVER HER as he has appendicitis. Then, because she is a doctor visiting from out-of-town, she performs the appendectomy. That’s right: she performs a random minor surgery at a local hospital at which she has no privileges. This is why I stick to historical romance novels.
Interjection December 2013: This was a pretty good summary of the tropes of the 1990s, but things have changed since then. The hero and heroine types have not changed but the women tend to be older and more experienced now.
And now to the business at hand:
God’s truth, I can’t even remember the heroine’s name. Let’s see if it comes back to me. The setting is England in 1206. Something exciting has happened with King John and his barons. Johana (!) is recently widowed after years of torment at the hands of her verbally and physically abusive husband, and the family priest. Childless despite her years of marriage (That’s right! She’s not a virgin and she never knew it could be like this), she is a valuable pawn as she has land holdings in Scotland that have been in dispute. Having avoided remarriage as long as she can, she ventures with her loving brother, Nicholas, to make a political match by marrying Laird Gabriel MacBain, a gruff and gorgeous warrior. By marrying her, he gains full title to his clan lands, and she is safely removed from the proximity of those who would exploit her for her wealth (I know). Although he now has the land, he is cash poor and that’s where the whisky subplot comes in. There is also some stuff about clan infighting and which plaid she is wearing.
As Johana settles into her new life with the imposing Laird, his love and gentleness, honestly, he really is a teddy bear, help her to heal and find her own identity and role as his partner. Along the way, she kills a group of wolves with her bow and arrow, she learns golf, and she gets over her fear of his wolf hound. I have to go back to the wolves for a second. She kills 4 wolves and her husband sets the bodies on fire rather than making a blanket out of the wolf pelts. I’d want a wolf pelt blanket myself.
I chose this book because I was familiar with the writer. It’s dangerous to take a chance on these novels because they often used to include an assault in which the heroine’s “body betrays her” and she gives in and enjoys it, OR, or the hero starts raping her, realises she is a virgin and then, AND ONLY THEN, feels guilty for the assault. You can see how I’d want to avoid that. The entire genre is very repetitious in plotting (obviously) and Garwood loves a nice, obvious subplot involving court intrigue. Generally, I skip ahead to get back to the romance. It’s really what I’m looking for and she does a good job with it. I’m actually not a big fan of the Laird/Highlander genre. I prefer the cynical bastards; they are generally witty, charming and fiercely intelligent, and I like that in a sexually-objectified man.
I’ve already started reading my next book Almost Heaven by Judith McNaught. I loved it when I was 20 and expect I will love it again now. It features a gambling roué named Ian Thornton, rumoured to be the illegitimate grandson of the Duke of Stanhope.