Tag Archives: romance

Abandoned Novel #1 – Of Moths and Butterflies by V.R. Christensen

Every couple of months, I go on Amazon and look for free historical romances. It’s worth it for either a. the occasional author discovery, e.g. Caroline Linden’s The Truth About the Duke series, or b. finding deliciously bad books. Of Moths and Butterflies by V.R. Christensen is neither of these things. It is option c. a well-written novel that gets bogged down for some reason, but shows potential.

Good Points:

The historical elements and details were fascinating and realistic. The heroine, Imogen, finds work as a servant at a Great House and the description of her days and responsibilities were an insight into the lives of people often ignored in these books. Additionally, the way Imogen’s relatives treat her in a social context, their manipulations, and Imogen’s powerlessness rang true. It was agonizing.

Why I Abandoned It:

I stopped reading after about 200 pages when I realised that the novel was going to go on in the same well-written and angst inducing manner for about another 300 pages. That is a lot of comeheregoaway and suffering.

Imogen was a victim of sexual abuse and I have a really hard time reading escapist literature that features this element. Christensen did not dwell unnecessarily on it, but the kind of experience she had would have been deeply scarring and I can’t get it out of my mind while reading.

Other:

I find it off-putting when a character is lowered in station and then it is OBVIOUS to everyone that they are “meant for better things” or should be “raised up”. It’s disrespectful to the lower class people in the story as the implication is that they somehow deserve their lot. Granted, Christensen was being historically accurate in her portrayal of the attitude that can be found summed below in “All Things Bright and Beautiful”, but it still galls me as a reader.

The rich man in his castle,
The poor man at his gate,
God made them high and lowly,
And ordered their estate.

The (Shameful) Tally 2014

The (Shameful) Tally 2014

February 2015: Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful which includes all of the books I have read to date.

This is the yearly reading list I maintain.

Recommended books are in bold, but here is a ruthlessly streamlined recommendations list:
So You Want to Read a (Historical) Romance, this is an
ALPHABETICAL LIST OF ROMANCES BY AUTHOR, and these are
Things That Occur to Me While Reading Historical Romance Novels.

The Autobuy List
Tessa Dare
Lisa Kleypas (except Crystal Cove)
Julie Anne Long
Sarah MacLean
Courtney MilanThe. Very. Best.

The Auto-Library/Cheap on Kindle List
Jennifer Ashley –  I love/hate her. I don’t recommend her.
Mary Balogh – predictable, but safe, well-written
Loretta Chase –  reliable, sometimes great
Meredith Duran – great character studies
Suzanne Enoch – B+ list
Elizabeth Essex – potential
Laura Florand – steamy and romantic contemporaries
Juliana Gray – B+ list, really strong, almost an autobuy
Cecilia Grant – interesting, massive potential
Lorraine Heath – B- list, so if there’s absolutely nothing else, maybe
Carla Kelly – sweet Regency romances, large back catalogue, newer work has Mormon themes
Caroline Linden – off to a good start, great potential
Julia Quinn – An excellent place to launch your reading. Start with The Bridgertons

Malin has excellent reviews on her site, and a broader range of books.

Name Tally August 31, 2014: Simon (8); Michael (7); Sebastian (7); William (7); Robert, Alec/Alex (5); Colin, Jack, Harry, James(4); Benedict, Charles, Edward, Gabriel, Gareth, Jackson, Julian, Lucien, Marcus, Tristan (3); and only one David.

My Favourite Characters

Other Authors and My Reading List for 2014 Are After the Jump

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The Luckiest Lady in London by Sherry Thomas

A historical romance featuring two people who are desperately in love and desperately terrified by it, The Luckiest Lady in London is by turns enjoyable and discomfiting, but always entertaining.

Felix, Marquess of Wrenworth, is ironically named. He is not happy, although he is in control of his world and has fastidiously created a public persona for himself that both he and Society refer to as the “Ideal Gentleman”. Felix is objectively perfect: smart, rich as Croesus, handsome, polite, athletic, and debonair. It is a beautifully crafted shell hiding a wounded heart.

Given a hero named Felix, I chose to look into the meaning the heroine’s name and I learned that Louisa means “renowned warrior”.  It’s appropriate. She needs her battle skills and instincts for self-protection. Too old to be a debutante, Louisa nonetheless has one Season to land a husband who can provide financial security for her family, including an invalid sister. Like Felix, she has meticulously fashioned the image she presents to the world: bright, relaxed, and winning. She has a realistic view of her charms and prospects, and she conducts herself accordingly. Louisa is not necessarily conniving, just extremely pragmatic. Felix is not even on her list of suitable husbands; she has set her sights on two appropriate men and while she does not expect to marry for love, she will not martyr herself for her family either.

Louisa and Felix first meet at a soiree and instantly recognize the truth, and its danger, in each other:  they are kindred spirits with carefully maintained facades. When their acquaintance expands and Louisa’s best prospects are found to be wanting, she and Felix begin their dance. They spar and tease even as something much more potent lingers beneath the surface. Felix and Louisa are intellectually fascinated, sexually volcanic, and emotionally fearful of each other.

My previous forays with Sherry Thomas have resulted in “I just can’t” as I usually find her books too heavy and serious. The usual sobriety is still present in The Luckiest Lady in London, but it was couched in such delightful writing and sincere characters that it did not get in the way for me this time. My only carp is that the angst did indeed make me writhe (and not the good kind of writhing I look to these books for) and that when the denouement proceeded, I felt it moved a little too close to cutesy given the tone established by the rest of the book.  But never mind that, I would still recommend The Luckiest Lady in London to readers looking for entertaining, slightly intense, and well-written escapism.

 The (Shameful) Tally 2013

Agents of the Crown Series: How to Marry a Marquis by Julia Quinn

(This was written using the romance review template I created for my post on Mary Balogh’s A Handful of Gold)

How to Marry a Marquis is a romance of the “you are everything I never knew I always wanted variety”: Boy meets girl. He is the wealthy nephew of a marriage-minded aunt. She is the impoverished companion of said aunt and also responsible for her younger siblings. Boy and girl move forward together secure in their love and commitment.

 A historical romance set in rural Regency England and written by Julia Quinn, How to Marry a Marquis is my 15th or 16th book by this author.  I generally find her work fun. Quinn is a deft and witty writer who excels at spinning light-hearted romance. I have covered all of the novels in her justly famous Bridgerton series in previous reviews. I found How to Marry a Marquis enjoyable and romantic. I will continue to seek out Quinn’s other novels because this one was really good, and I would recommend this particular effort.

The main plot of How to Marry a Marquis  focuses on the reformation of a rake. James Sidwell,  Marquis of Riverdale is that rake. He is urbane, charming, and sincere. He handles challenging situations with humour and aplomb. The heroine, Elizabeth Hotchkiss, is a victim of circumstance. She is also charming, resolute, and hardworking. Elizabeth’s parents have both passed away and she is responsible for the financial well-being of the family. She works for local harridan (and Quinn fan favourite) Lady Danbury to help get by, but her financial situation is worsening. Elizabeth finds an instructional book called How to Marry a Marquis in Lady Danbury’s library and decides to “practice” on the new estate manager, James. What Elizabeth does not know is that James is a family member or his true purpose in the house. They are instantly attracted to each other. Over time, they come to discover that despite any challenges they face, they make an excellent team.

How to Marry a Marquis is one of Julia Quinn’s earlier efforts and it is delightful. I have read just about everything in her oeuvre and as her recent efforts are experiencing a, relatively speaking, fall in quality, it was nice to read something written when Quinn was coming into the phase in which she would produce her best work.  I recommend Quinn highly as a gateway author for those looking to give historical romance a try. She is the genre’s best at crafting deceptively simple, sincere, and funny romance.

A summary of Julia Quinn’s catalogue can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Where Dreams Begin by Lisa Kleypas

I mentioned in an earlier review that I had once said, “If these two don’t kiss soon, my head may explode,” out loud while reading a particular romance. Where Dreams Begin by Lisa Kleypas is that particular romance. I love this book. While not a classic, it is one of the ones I will keep if/when I am released from my historical romance obsession. I have read it several times and did so again recently.

Lady Holland Taylor…

The AIDS Healthcare Foundation Presents No, not this one, although I assume it’s a loving homage on the part of Ms. Kleypas.

Lady Holland Taylor has just attended her first public event after three years of public and private mourning for her husband, George. They were happily married and very much in love. Holly lives with his family and her daughter, Rose, her dearest tie to George. Despite the fact that she is out in society again, Holly dresses in the colours of “half mourning” and has no interest in another marriage. She is every inch, and in all the best ways, a lady. When Holly finds herself looking for a moment alone and instead winds up kissing a stranger in the dark at a party, she is devastated and runs away.

Zachary Bronson expected one woman in the dark and swooped in to discover he was kissing another. He has recently arrived in Society and his position there is the result of his ambition and unassailable wealth. He is too rough for his new world and the upper echelons do so revile an upstart. To give himself access to the circles he wants to do business in, make his mother and sister comfortable in that world, but mostly to try to get his hands on that woman he kissed, Zachary offers Holly a position as a kind of guide to teach his family the social graces. He pretends not to remember her when they meet again, as does Holly. For an obscene amount of money, including a generous dowry for Rose, Holly will work for Zachary for one year. His only condition is that Holly and her daughter must move in with his family.

There is no external conflict in this story, the tension revolves around the vast difference in the leads’ backgrounds. Holly and Zach are each kind, lovely people. He is brash and ambitious, she is refined and quiet. They slowly find a balance with each other and move forward as a couple. Holly was trained so well to be a certain kind of woman, so very moderate in all things, and constrained for so long that she feels bowled over by this louder new life, even as she finds Zachary incredibly attractive. (As well she should. He is as delicious as I have come to expect of all Lisa Kleypas heroes. She writes big, beautiful, sardonic men, and I say, “Brava!”.)

Where Dreams Begin has some elements that are a bit dated, it is mentioned that Zach frequents brothels, and there is magic realism/dreamy stuff that I could have done without. Romance novels are  sufficiently fuzzy with regards to reality that adding another layer of narrative distance impinges on the illusion for me. Any quibbles I have are minor about an otherwise sincere, entertaining and delightful story. Lisa Kleypas is a master craftsman. She excels at every aspect of writing for the genre. Every night, I say a little prayer hoping she will re-enter the historical romance fray.

A complete summary of Lisa Kleypas’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful which includes the aforementioned observations.

Rules of Scoundrels Series: A Rogue by Any Other Name and No Good Duke Goes Unpunished by Sarah MacLean

There are many reasons that Sarah MacLean is on my autobuy list, but one of them is that she has enormous potential that is coming into full flower. No Good Duke Goes Unpunished has a twist at the end that not only guarantees I will be combing back through this and the other two books in her “Rules of Scoundrels” series, but I will purchase next book, Put Up Your Dukes*, the second it becomes available. These historical romances feature four displaced aristocrats who have joined together to run a wildly successful gambling hell called The Fallen Angel. Each book features one of the exiles, i.e. A Rogue by Any Other Name (Bourne), One Good Earl Deserves a Lover (Cross), No Good Duke Goes Unpunished (Temple), and Put Up Your Dukes** (Chase).

A Rogue by Any Other Name

Theoretically, I read A Rogue by Any Other Name last year, but it was during my frantic romance devouring phase and it didn’t really capture my attention. This is not the first time that has happened and it won’t be the last. I read the novel again properly this year after One Good Earl Deserves a Lover because I loved the latter so.

Michael, Marquess of Bourne, and Lady Penelope were childhood friends. He went away to school and she stayed home as was the curse of women in her era. They wrote letters, but Michael’s responses petered out and then stopped after he gambled away his inheritance and left Society behind. For ten years, he has been bent on reclaiming the property that he considers his birthright. There are a lot of people in romances who gamble away their fortunes, but they are rarely the hero. It’s a great touch. Bourne is cold, driven, and, as I said in reference to him in the One Good Earl review, suffers “from a prolonged case of Head Up Posterior”. When Bourne discovers that “his” land is now tied to Penelope’s dowry, it brings him back into the orbit of his childhood friend. Wallflower Penelope is surprised to see Michael again and not happy with the changes in him. They gradually come together as he both resolves and relinquishes his issues. Overall, I enjoyed A Rogue by Any Other Name, but it was not as good as either of the two that followed it.

No Good Duke Goes Unpunished

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L’Amour et Chocolat Series: The Chocolate Thief, The Chocolate Kiss, The Chocolate Rose, and The Chocolate Touch by Laura Florand

I LOVE this series. Laura Florand does not go wrong mixing dessert, France, and love stories. She has an excellent conceit and uses it to maximum advantage in this intersecting contemporary romance series. As in life, almost everything comes back to chocolate, except the sex, that’s fairly frequently about oblique vanilla kink, and, truthfully, once or twice about chocolate, too.

Plot Summary (All): American woman meets French food god. Instant attraction. Conflict. Delicious food. Hot sex. Lifetime commitment about three weeks later.

The complete series with (order of preference):

  1. The Chocolate Thief – Pretty good, it took me from 99 cents on Kindle to the complete series. (5)
  2. The Chocolate Kiss – A great fairy tale that made me forgive the metaphor. (2)
  3. The Chocolate Rose – Excellent passion, it needed just a hint more love story. (3)
  4. The Chocolate Touch – My favourite of the group, it was really sweet and intense. (1)
  5. The Chocolate Heart – The weakest of the group. (6)
  6. The Chocolate Temptation – Steamy, not quite as great, but still very good and enjoyable. (4)

Each of the heroes are artists in their chosen medium which, fortunately for the reader, are food related. As professional chefs, they are artists, intelligent, driven, and self-disciplined. The heroes were also a little more insecure than is usual in a romance. They carry themselves with bravado, but Florand lets the reader see their vulnerability. Is it because they’re French that they are allowed to be masculine and sensitive as well? I’m not sure, but I really liked it.

The Chocolate Thief (Sylvain and Cade) – The Poet

Sylvain is the world’s best chocolatier. Cade Hershey Corey runs her family’s multi-billion dollar chocolate corporation and wants Sylvain to create an upscale product for them to market to the masses. Sylvain is horrified. I’m with him. The last thing the world needs is more bad chocolate hiding behind packaging and a shiny temper. Cade doesn’t succeed with her marketing idea, but she does land Sylvain. The poet of this group of men, he is a pure artist satisfied only with the very best.

The Chocolate Kiss (Phillippe and Magalie) – The Prince

A blatant take on Rapunzel complete with a golden-haired prince and a woman in a tower of her own experience and making. Will Magalie decide to come down? Can Philippe come up? There was a quasi-magic realism subplot involving wishes and hot chocolate that I found cloying and disruptive, but the love story still managed to sneak up on me and pack a wallop. It was so charming, I wasn’t sure I wanted to read any more of the books afterward.

The Chocolate Rose (Gabriel and Jolie) – The Beast

The two middle novels of the series feature fairy tale references in their structure. I’m not sure if the other two I’ve read do also and I just need to brush up on my Andersen and Grimm, or if Florand dropped the allusion. This Beauty and the Beast tale moves the story out of Paris and overlaps with another Florand series called Vie en Roses. That’s some savvy marketing, that is.

Gabriel is a patissier who runs a three star restaurant in a small town in Provence. He is passionate and has trouble not grabbing for what he wants. In this case, that means Jolie. Her father and Gabriel have a contentious history providing the maguffin to bring the leads into each other’s orbit. The energy of Gabriel and Jolie’s connection was enjoyable and he was adorably intense, but I had a hard time figuring out when they had fallen in love rather than lust. I’m not picky, a “they talked for hours” or variant thereof would have been sufficient to improve the story.

The Chocolate Touch (Dominique and Jaime) – The Warrior

I love a big lug. Dominique is a giant lug, plus a chocolatier-patissier and a maverick in his field. He worked his way up from violence and squalor, but still has qualms about his roughness and the brutality in his past. He has potential for acting out that he keeps reined at all times. He is not afraid of what he is, but what he might become and of how it will affect those around him. In a miracle of contemporary logic, he has received psychological help for his issues. Alleluia!

Hershey Corey chocolate heiress Jaime is convalescing after being severely beaten while undertaking aid work in the Third World. She is a remarkable, striving woman who nonetheless lacks confidence due to her privileged upbringing and the aftermath of the assault. She and Dominique are magnetically attracted to each other, even though neither can understand what the other person sees in them. He’s a kind of rock star, she considers herself ordinary. These two had the most issues and the most intense instant connection of the four books. It made a kind of sense for what each had been through and I don’t think I’ve ever read a romance in which the hero’s frailties were so thoroughly examined. They fall in love too fast, but not because it’s a novel, but because falling in love too fast is what people this damaged, and damaged in this way, often do. Dominique and Jaime seek refuge in each other, but in a healthy way.

A complete summary of Laura Florand’s catalogue, with recommendations, can be found here.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful which includes the aforementioned observations.

The Ice Princess & Scandalous Desires by Elizabeth Hoyt

Elizabeth Hoyt is one of the big names in historical romance and her novel The Raven Prince is considered a classic of the genre. She tends to be a little earthy for my tastes, but I have read portions of several of her novels and I did indeed read all of The Ice Princess and Scandalous Desires.  I really liked the former, the latter was nothing special.

A novella, The Ice Princess features Coral, the madame of a brothel called The Grotto which is featured in other Hoyt works, and Isaac Wargate, a naval captain who spends time in the brothel not being serviced, but looking out for his men and watching out for Coral. In a common romance trope, Isaac wins exclusive access  to Coral for a period of seven nights in a card game. (My inner feminist cringes while typing such things, then I read another romance because being a feminist is about the right to make choices.) Coral has not been with clients in a long time, although she was not spared years as a prostitute, and Isaac wants desperately to get to the woman he glimpses underneath her literal and figurative mask. He is a patient man. Coral uses her experience and acumen to put him off, but he wins her over with kindness and patience, she rescues herself, and they sail off into the sunset together. It’s a lovely little novella not about the redemptive power of love exactly, but more the power of seeing one’s own freedom through another’s eyes.

Scandalous Desires is a standard up-from-the-gutter romance featuring a Pirate King because, yes, this is a genre in which a “Pirate King” is standard fare. Mickey O’Connor works ships on the Thames for his living and he has amassed a considerable fortune and a formidable reputation. Romance heroes who clawed their way up from nothing always do. About a year ago, Silence Hollingbrook (I don’t care what you say, that name is AWESOME) spent one night with Mickey because of something, something, her husband, something, widow. Mickey has a bastard daughter he wants Silence to take care of, first at the foundling home she helps run and then living at his Pirate King pad. Hijinks and romance ensue. Hijinks that weren’t very compelling to me, didn’t rise above what is common in the genre, and, this is important part, their relationship was uninteresting. It always comes back to that one detail. If the emotional lives and connection of the characters are sincere and well-portrayed, the book becomes engaging. Mickey and Silence’s weren’t and the book wasn’t.

Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful.

Welcome to Temptation and Bet Me by Jennifer Crusie

To sum up:

duck soup 1

Jennifer Crusie’s Bet Me is number 15 on All About Romance’s readers poll of the Top 100 Romances of all time* and Welcome to Temptation comes in at number 20. I managed to take four of Crusie’s books out of the library, but not the one I really wanted which was Bet Me. I put it on hold and then just bought the darn thing on Amazon anyway. It was worth it, Bet Me is a definite keeper.

Welcome to Temptation

This was an extremely entertaining read. Sophie and her sister arrive in Temptation, Ohio to film a C-list actress’s demo reel and it expands into a full movie of dubious content. The internecine political squabbles only a small town can provide are the backdrop for Sophie to fall in love with the Mayor, Phineas (Phin) Tucker.

Welcome to Temptation was frequently laugh out loud funny. Crusie created likeable and believable leads with excellent chemistry and a sexy, light-hearted tone. There are multiple players and machinations to track and the whole thing careened along very enjoyably, buoyed by its own charm, until it veered into farce. Let’s just say that it’s a lot of larceny for one small town and the resolutions were ludicrous in proportion to events.

Bet Me

This was one of those books you read while quietly adjuring, “This is so awesome, please don’t mess it up, please don’t mess it up, this is so awesome, please don’t mess it  up.” Crusie did not mess it up. The Come Here Go Away went on a bit, but Bet Me was absolutely delightful, a fantastic read that I highly recommend.

Do you need to know the plot, too? Fine. Minerva overhears an Adonis making a bet with her former, for all of thirty minutes, boyfriend that said Adonis, Calvin, can’t get Minerva into bed inside a month. Everything is exactly and absolutely not the way it appears. There were subplots involving an ex-girlfriend of Calvin’s and Min’s ex-boyfriend conspiring against their success as a couple which went on too long and veered into farce; time spent on Minerva’s sister’s impending nuptials which went on too long and veered into farce; and the coming together of Min and Cal’s groups of friends which was just fine and did not veer into farce. That’s still a lot of veering. What exactly is my problem with silly over-the-top fun? I think I need to re-calibrate my willing suspension of disbelief, if I’m complaining that a romance novel is insufficiently realistic.

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The Travis Series: Sugar Daddy and Blue-Eyed Devil by Lisa Kleypas

Having read Smooth Talking Stranger by Lisa Kleypas and being desperate for more good romance to read, I went and got her other two Travis family books from the library. It’s what always happens to me with a Kleypas series. She really does have the most scrumptious men in romance. Scrumptious men and sexy smolder, those are her by-words. I adore Courtney Milan and she is the best author currently publishing historicals, but have I re-read all my favourite Kleypas novels more times than I am willing to admit.

All three books in the Travis series, Sugar Daddy, Blue-Eyed Devil, Smooth Talking Stranger, are told in the first person from the heroine’s perspective. Normally, romance has an omniscient narrator so the frame of reference flips back and forth between the two main characters. The single viewpoint means that one sees the object of affection exclusively as he presents himself to the female lead. It makes each novel her story as opposed to “theirs” and this is appropriate given that each of the heroines has a rather fraught history.

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